A tourist takes photographs of the Louvre Museum in Paris, France on July 3, 2022. (Photo by Benoit Tessier/Reuters)

Tuvalu Beneath the Rising Tide by Sean Gallagher, Tuvalu. Changing environments prize: Fallen trees lie on a beach as the waves from the Funafuti lagoon in Tuvalu lap around them. Land erosion has always been a problem for the South Pacific country but problems are intensifying as sea levels rise. Rising seas are on the verge of completely submerging the tiny archipelago’s islands. (Photo by Sean Gallagher/CIWEM Environmental Photographer of the Year 2019)

Two women look at a mobile phone as they stand on Tiananmen Square during a sand storm in heavily polluted weather in Beijing on February 28, 2013. Beijing residents were urged to stay indoors as pollution levels soared before a sandstorm brought further misery to China's capital. (Photo by Ed Jones/AFP Photo)

“A girl arrives at the parking lot wearing tiny leather shorts and sits on the back of a bike with a horse power of more than 1,000 CC. Next to her a man gets ready to ride, wearing a skeleton mask. It’s more than a fashion show, it’s an extravaganza on two wheels along Chinese roads”. – Carlos Barria. Photo: A couple rides their motorcycle at the Qian Dao Lake rally, on May 11, 2013. (Photo by Carlos Barria/Reuters)

Sunrise over Maridalsvannet in the forest areas near the outskirts of Oslo, the capital of Norway. Winter is approaching, the first snow covers the ground, and the water has already got a thin layer of ice. The temperature is significantly below the freezing point, the air is clear and the sun colors the morning clouds in deep tones. (Photo by Tore-Thiis-Fjeld/Getty Images)

July 23, 2013 – Kampala, Uganda. Helene and Diana train daily more than 2.5 hours by Innocent Kapalata, a passionate and ambitious former boxer. Amidst the shanty homes a group of ambitious fighters are trying to reach for a better life. (Photo by Peter Bauza/ZUMA Press/VISUAL Press)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)