Astronaut Edward H. White II, pilot for the Gemini-Titan 4 (GT-4) spaceflight, floats in the zero-gravity of space during the third revolution of the GT-4 spacecraft on June 3, 1965. White wears a specially designed spacesuit. His face is shaded by a gold-plated visor to protect him from unfiltered rays of the sun. In his right hand he carries a Hand-Held Self-Maneuvering Unit (HHSMU) that gives him control over his movements in space. White also wears an emergency oxygen chest pack; and he carries a camera mounted on the HHSMU for taking pictures of the sky, Earth and the GT-4 spacecraft. He is secured to the spacecraft by a 25-feet umbilical line and a 23-feet tether line. Both lines are wrapped together in gold tape to form one cord. Astronaut James A. McDivitt, command pilot, remained inside the spacecraft during the extravehicular activity (EVA). Astronaut White died in the Apollo/Saturn 204 fire at Cape Kennedy on January 27, 1967. (Photo by NASA)

Bonbibi, Treehouse Point, Fall City, WA. The Bonbibi is balanced on two steel yokes. The yokes spread out the load and allow for tree growth and movement in the wind. A small deck hangs from the beams below and uses the treehouse itself to shelter guests. (Photo by Pete Nelson)

Sophia Loren gave the most legendary side-eye ever, shooting daggers at Jayne Mansfield in 1957. (Photo by Everett Collection)

A man dressed as a zombie poses during the Thrill The World 2009 event, which sees fans from all over the world dance simultaneous to Michael Jackson's “Thriller” at Luna Park on October 25, 2009 in Sydney, Australia. (Photo by Brendon Thorne/Getty Images)

Kaw-Claa, a Tlingit native woman in full potlatch dancing costume, 1906. (Photo by Case & Draper/Buyenlarge/Getty Images)

Migrant Haya from Artoz, Syria, shows a picture of her town as she waits to cross the Slovenia-Austria border in Sentilj, Slovenia October 25, 2015. (Photo by Srdjan Zivulovic/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)