The CBRE Urban Photographer of the Year competition – now in its ninth year – encourages professional and amateur photographers to capture cities at work. Here: Dog Walker – 15:00. The competition allows photographers to enter up to 24 images, one representing each hour of the day. (Photo by Johanna Siegmann)

Respect, Kronotsky nature reserve, Russia. The photographer’s cat, Ryska – her name means little lynx in Russian – stands outside their cabin and with aggressive posturing warns off a fox. In winter, foxes would regularly visit the cabin searching for food. If one peered in at the window, possible when the snow was deep, Ryska would sit on the other side, fur raised, and growl. When outside, she would hold her ground. The foxes were not always frightened and so encounters could be a sort of dance. (Photo by Igor Shpilenok/Unforgettable Behaviour/NHM)

A mahout (elephant driver) walks a baby elephant across the city streets at night September 27, 2008 in Bangkok, Thailand. (Photo Paula Bronstein/Getty Images)

Scene of action – Gonk Kong. Action time – 2012. Genre: street photo. In my opinion, very interestingly, enjoy. (Photo by Arnd)

Blow-up unicorns, a pig on a pulley and chickens on the lam populate the polychrome pictures in this year’s LensCulture street photography awards. Here: Subida Al Cielo, by José Nieto. Finalist, single image. (Photo by José Nieto/LensCulture 2018 Street Photography Awards)

American artist Kurt Wenner creates unparalleled three-dimensional drawings on asphalt streets and of floor. Kurt – A former employee of NASA, which is the love of the art of the Renaissance left the space agency and left to raise the artistic skills in Rome. Has a variety of awards in the arts. Here is a selection of his works made in different cities around the world.

Under Exposed: Pekka Tuuri (Finland) – Great white shark, Isla Guadalupe, Mexico. “Isla Guadalupe is the world capital when it comes to observing great white sharks, but cage diving seriously limits the possibilities to take ‘fresh’ pictures. When I took this, the water close to the surface was quite milky, making photography very challenging. From out of the “mist”, I saw this great white shark lurking behind a school of fusiliers. I quickly focused on the shark and set a wide aperture to get focus blur on the fish, along with a fast shutter to avoid excessive motion blur”. (Photo by Pekka Tuuri/The Outdoor Photographer of the Year/The Guardian)