Labourers stack dried bricks inside a kiln, where they will be fired, at a brick factory on the outskirt of Sanaa, Yemen, June 1, 2016. Traditional mud brick tower houses have always been a source of pride to Yemenis, and over a year into a devastating civil war, they are also providing some much-needed jobs in the ancient capital Sanaa. (Photo by Mohamed al-Sayaghi/Reuters)

Paris Saint-Germain's Italian goalkeeper #01 Gianluigi Donnarumma sustains an injury by Monaco's Ivorian defender #17 Wilfried Singo (L) during the French L1 football match between AS Monaco and Paris Saint-Germain at the Louis II Stadium (Stade Louis II) in the Principality of Monaco on December 18, 2024. (Photo by Valery Hache/AFP Photo)

Kagome Co's employee Shigenori Suzuki tries to eat a tomato which is fed to him by the newly-developed “Wearable Tomato” device for runners, during its unveiling event ahead of the weekend's Tokyo Marathon in Tokyo February 19, 2015. The eight-kilo (17.6-pound) contraption fits on a runner like a rucksack. It can distribute a total of seven medium-sized tomatoes, one by one, at the click of a button and supplies the runner with much needed nutrients during a long jog or race. (Photo by Toru Hanai/Reuters)

A stone giant exhausted after his long travels decided to rest a while and drink from a pond far below. He lay down and started drinking from the crystal clear pond. So delicious was the water that he was unable to quench his thirst no matter how much he tried. Weeks have passed, months, years. The body of the stone giant became one with the hills and even his tongue has turned to water. This might seem like a fairy tale, yet you’ll be able to see this stone giant if you ever come to Wattens, Austria. He’s still there, guarding the entrance to Swarovski Kristallwelted, otherwise known as the Crystal Worlds. This is a one-of-a-kind theme park that was created by the people who first created Swarovski crystals.

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.