England fan celebrates on top of an ambulance after England' s win over Sweden in the Russia 2018 World Cup quarter- final football match, in London on July 7, 2018. (Photo by Henry Nicholls/Reuters)

A woman dressed for la “La Diablada” festival walks down a road in Pillaro, Ecuador, Friday, January 6, 2017. Local legend holds that anyone who adopts a costume for the celebration and wears it at the event six years in a row will have good luck. (Photo by Dolores Ochoa/AP Photo)

Students from Glasgow Art School modelling casual clothing and Buchan tartan in the annual Fashion Show for charities. During Rag Week students parade in the city streets wearing costumes designed and made by themselves. (Photo by Haywood Magee/Picture Post/Getty Images). 7th February 1953

Cairo-based artist Chanel Arif's paints for her art project called After Dinner that uses humans and their surroundings as her canvas, in her gallery in the capital of Cairo, Egypt March 2, 2017. (Photo by Sherif Fahmy/Reuters)

Camp dwellers pump water from a well at Malkohi refugee camp in Jimeta, Adamawa State, Nigeria on February 19, 2019, four days ahead of the country's General elections set for February 23 after a last-minute rescheduling. Malkohi is a camp for internal displaced who fled their homes as Boko Haram insurgents advanced across north-eastern Nigeria. From their homes on the outskirts of Yola, capital of presidential candidate Atiku Abubakar's home state Adamawa, Malkohi residents say they feel forgotten. (Photo by Luis Tato/AFP Photo)

Bryan Adams took the pictures for next year’s Pirelli calendar, which features fellow musicians including Cher, Rita Ora, Iggy Pop and the American rapper Saweetie, above, as it depicts a typical day in the life of a touring performer. (Photo by Bryan Adams/Pirelli)

The Lexus UX concept is displayed on media day at the Paris auto show, in Paris, France, September 30, 2016. (Photo by Benoit Tessier/Reuters)

Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.