A pilgrim crawls in front of the Navy band outside the Holy Church of Panagia of Tinos, on the Aegean island of Tinos, Greece, on Saturday, August 15, 2020. For nearly 200 years, Greek Orthodox faithful have flocked to Tinos for the August 15 feast day of the Assumption of the Virgin Mary, the most revered religious holiday in the Orthodox calendar after Easter. But this year there was no procession, the ceremony – like so many lives across the globe – upended by the coronavirus pandemic. (Photo by Thanassis Stavrakis/AP Photo)

A cyclist rides in al-Qudra desert in the Gulf emirate of Dubai, on June 8, 2020. (Photo by Giuseppe Cacace/AFP Photo)

The 100-metre (300-foot), sword-wielding statue of “The Motherland” is seen in the National Museum of the History of the Great Patriotic War in Kiev March 17, 2014. On a blustery day on the banks of the Dnieper, the statue of “The Motherland”, a Soviet hammer and sickle on her shield, towered overhead, a reminder of the common cause Ukrainians and Russians died for side by side in their millions in World War Two and which Russian President Vladimir Putin thinks Ukraine has betrayed by turning to “fascism” and the West. (Photo by Konstantin Grishin/Reuters)

A woman walks past a damaged pagoda after an earthquake in Bagan, Myanmar August 25, 2016. Rescue workers surveyed the damage Thursday after a powerful earthquake shook Myanmar, killing at least four people and damaging 185 ancient Buddhist pagodas in the former capital of Bagan, a major tourist site. (Photo by Soe Zeya Tun/Reuters)

Fans in Star Wars costumes attend the world premiere of Disney's “Star Wars: Rise of Skywalker” at the TCL Chinese Theatre in Hollywood, California on December 16, 2019. (Photo by Valerie Macon/AFP Photo)

Young Haitian migrants hang out in the Batey La Lima community, an impoverished community surrounded by a massive sugarcane plantation in the coastal city of La Romana, Dominican Republic, Wednesday, November 17, 2021. As the rest of the world closes its doors to Haitian migrants, the country that shares an island with Haiti also is cracking down in a way that human rights activists say hasn’t been seen in decades. (Photo by Matias Delacroix/AP Photo)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.