Centenarian Sikh runner Fauja Singh poses for pictures after being the first person to officially enter for next year's Edinburgh Marathon on September 1, 2011 in Edinburgh, Scotland. A world record holder, aged 100, Fajua Singh has run seven marathons, all after his 89th birthday. He officially opened the entry process by signing up for his last ever 26 mile event in Edinburgh. (Photo by Jeff J Mitchell/Getty Images)

A general view of atmosphere during the NYC “Soul Train” Line Flash Mob: Hippest Trip in America in honor of Don Cornelius in Times Square on February 4, 2012 in New York City. Cornelius, the creator of “Soul Train”, died on February 1, 2012 at the age of 75. (Photo by Ilya S. Savenok/Getty Images)

Arisha, 9, takes instructions from coach Younus Qambrani during an exercise session at the first women's boxing coaching camp in Karachi, Pakistan February 19, 2016. For the past six months about a dozen girls, aged 8 to 17, have gone to the Pak Shine Boxing Club after school to practice their jabs, hooks and upper cuts. (Photo by Akhtar Soomro/Reuters)

Thailand's King Bhumibol Adulyadej in serious portrait January 01, 1960. Thailand's Royal Palace said on Thursday, October 13, 2016, that Thailand's King Bhumibol Adulyadej, the world's longest-reigning monarch, has died at age 88. (Photo by John Dominis/The LIFE Picture Collection/Getty Images)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

At the beginning of the 20th century, Edward S. Curtis set out to document what he saw as a disappearing race: the Native American. From 1907 to 1930, Curtis took more than 2,000 photos of 80 tribes stretching from the Great Plains to the Pacific Northwest and Alaska. He then published and sold these photos, along with narrative text, in 20 volumes of work known as “The North American Indian”. It is one of the most significant collections of its kind, “probably the most important photographic document of its age and its topic,” said Jeffrey Garrett, associate university librarian for Special Libraries at Northwestern University. (Photo by Edward S. Curtis)

Are you a fan of beards? If you are, have you ever thought that it might look like some sort of furry animal? David Kiefaber thought of the same thing when he participated in the “Free Your Skin” campaign, organized by Y&R New Zealand. You might think that you look all rugged and manly while wearing that luscious beard. But in reality, you simply look like a guy with a dead squirrel on his face. Or a raccoon… if you’re a greying middle-aged man. Hopefully, you’re not one of those people whose beard looks and/or smells like a skunk.

Thomas Barbèy grew up in Geneva, Switzerland, across the street from the “Caran D'ache” factory, the largest manufacturer of art supplies. He started drawing seriously at the age of 13, using black “encre de Chine” and gouaches for color. His influences were Philippe Druillet, Roger Dean and H.R. Giger. After living in Geneva for 17 years and designing posters for musical bands, he decided to move to Italy, where he lived in Milan for 15 years making a living as a successful recording artist, lyricist and fashion photographer.