The essence of the “masterpieces” created by Giuseppe Lo Schiavo is in taking a famous architectural landmark placing it on a rock, and making it float over some body of water. Well… that’s pretty much it. Of course there will be some people who will look deep within these works of art, and catch the true meaning and intentions of the mastermind who created them, and maybe even purchase them for unreasonable amounts of money. But the rest of us, the common folk, will stare at it for a while, cringe, and move on without a second thought. (Photo by Giuseppe Lo Schiavo)

“Sky burial or ritual dissection was once a common funerary practice in Tibet wherein a human corpse is cut in specific locations and placed on a mountaintop, exposing it to the elements or the mahabhuta and animals – especially to birds of prey. The location of the sky burial preparation and place of execution are understood in the Vajrayana traditions as charnel grounds. In Tibet the practice is known as jhator, which literally means, «giving alms to the birds»”. – Wikipedia

Photo: A burial master chops bones of a body to feed vultures during a celestial burial ceremony on April 19, 2006 in Dari County of Guoluo Prefecture, Qinghai Province, northwest China. Celestial burial is a traditional funeral of Tibetan people, which began in the 7th century. (Photo by China Photos/Getty Images)

People walk on a sightseeing platform in Zhangjiajie, Hunan Province, China, August 1, 2016. China has opened a 100-metre-long glass skywalk stretching around a cliff on the side of the Tianmen Mountain. The skywalk provides a view of a 300-metre drop and overlooks Tongtian Avenue, a mountain road with 99 turns that snakes up the mountain. When translated in English, it means “Avenue to the Sky”. (Photo by Reuters/Stringer)

Yogis and street performers have been simulating levitation with nifty contraptions forever. They appear to be held aloft via nothing but their preternatural mental prowess. But are really enjoying the benefits of basic physics just like the rest of us when we use a chair. However, just because it’s perfectly explainable doesn’t mean it isn’t nifty. I’m especially impressed by this 2-person version and am still trying to work out how exactly the chair they’re using is shaped at the base.

Two holy men with a decorative faces and headdresses, taken in Kathmandu, Nepal. Wandering through the cities and forests of Nepal are the holy men, or Sadhus, who have left all materialistic pleasures behind to live a life devoted to God. Their appearances vary from brightly coloured face paints, and decorations, to minimalistic practical clothing, but they all represent the fundamental values and meanings of Hinduism. Danish photographer Jan Moeller Hansen visited the ancient capital city of Kathmandu between 2013 and 2016 and documented the mysterious holy wanderers. (Photo by Jan Moeller Hansen/Barcroft Images)

Everyone wants to get something for nothing - whether it's a lucky upgrade that means you can turn left when you get on a plane instead or heading off into the economy seats, or even getting a few extra features thrown in for free when you buy a new car.

As some of the sharpest businesses around, no-one understands this quite as well as casinos and that's why they all have a system that they call comps. It's short for "complimentary offers" and these are special treats specially designed to reward you for your loyalty to the casino in question. They're basically bonuses.

Laszlo Koday was born in Hungary in 1945. In 1970 he began as a self-tought painter. The life and work of Henri Rousseau made a deep impression on him. His pictures are fairy tales expressed by pictorial means, human, animal and nature are equally important in them. There are bright, with unmixed pure colours, compositions wich spread calmness and gaiety. Kaday's works are know not only in Hungary but in many countries and are included in many private and public collections. His paintings can be found in galleries abroad, for example the GINA Gallery.

The official name for this tiny speck of land – the size of 12 football pitches – is Hashima, but few call it that. In English, its most commonly used name means “Battleship Island” and, viewed from a certain angle offshore, its silhouette is uncannily dreadnought in nature. It was a mining facility until 1974, when it was abandoned to the elements, before partially reopening as a tourist attraction in 2009. Photo: A decades-old television. (Photo by Mark C. O'Flaherty)