Josephine Wall is an English fantasy artist and sculptor. Born in Farnham, Surrey, England in 1947, as a child she was always drawn to color, light, fantasy, and visual storytelling. Wall was influenced by Arthur Rackam illustrative ability, the surrealism of artists Magritte and Dali, along with the Pre-Raphaelites romanticism. She went to Farnham grammar school until her family Poole, Dorset when she was 14. There she studied at Parkstone (Dorset) grammar school, she then went on to study at Bournemouth College. Her first job as an artist was in 1967 at Poole Pottery as a designer and painter.

Andrew Ferez, born and raised in Russia is an artist who inherited his creativity and interest in the arts early on and trained his artistic skills and knowledge ever since, in a never-ending process.
Andrew’s genre is a mix between macabre and horror with a poetic hint. His illustrations transports us into the deepest recesses of our mind, showing us impossible worlds that are both scary yet surprisingly familiar or enticing. Most of his artworks are two dimensional but in some of his latest artworks he used the help of some 3D software as well.

Many laws still in existence throughout the united states are wildly outdated, rendering them completely ridiculous, useless and bizarre. The absurdity is illustrated by new York-based photographer Olivia Locher, who catalogs the crazy rules and regulations of each state in a playful photographic series ‘I fought the law’. Readers might be surprised to learn that in Rhode island, it is illegal to wear transparent clothing, nobody is allowed to ride a bicycle in a swimming pool in California and Arizona residents may not have more than two dildos in a house. Take a look at the ongoing series below to find out more about the peculiar oddities present in the American legal system.

Bus 392 stands on the highway running from Beersheva to Eilat, with windows broken following a gun attack on August 18, 2011 near the Israel - Egypt border, Israel. A series of coordinated gun and roadside bomb attacks against miltary and civilian targets near the Israeli - Egyptian border, including an ambush on the bus travellling 20km north of Eilat, are reported to have left 5 dead and many injured. (Photo by Yehuada Ben Itah/Getty Images)

Farmers clash with riot policemen during a protest outside the Greek Agriculture Ministry on March 8, 2017 in Athens, Greece. Two people were detained after the windows of two police vans were smashed as approximately 1,000 farmers, mainly from the island of Crete, took part in the protest. (Photo by Nikolas Georgiou/ZUMA Wire/Rex Features/Shutterstock)

Waves triggered by Typhoon Hato are seen in Hong Kong, China on August 23, 2017. A powerful typhoon barreled into Hong Kong on Wednesday, forcing offices and schools to close and leaving flooded streets, shattered windows and hundreds of canceled flights in its wake. Typhoon Hato came within 60 kilometers (37 miles) of Hong Kong, close enough to be considered a direct hit under Hong Kong's storm warning system. It was headed toward the western side of mainland China's Pearl River Delta. (Photo by Tyrone Siu/Reuters)

A couple hugs while standing near a Christmas tree made out of plastic bins and plastic hampers outside the Museum of History in Monterrey, Mexico, December 4, 2015. The humble Christmas tree has a rich history, from evergreen trees used to symbolise eternal life in Ancient Egypt to tree worship among pagan Europeans. The modern version has its origins in Germany, where the song “O Tannenbaum” is still a festive favourite. Today the traditional tree with lights and decorations appears in cities including Washington, Moscow and Beirut. Alternative constructions range from recycled rubbish in Mexico City to old window frames in Rakvere, Estonia. Whatever the shape or size, the message is the same: Merry Christmas. (Photo by Neil Hall/Reuters)

Pictures of deceased people are seen inside a chapel at a cemetery in the village of Smoljinac, Serbia, October 25, 2016. From a distance, the cemetery in the eastern Serbian village of Smoljinac looks like a residential neighbourhood eerily placed among graves. But once inside the grounds, after passing a section with the usual stone slabs, visitors find rows of small bungalows painted in pastel colours. They have one or two rooms, large windows and ornate plaques – some inside, some outside – memorialising the deceased. These are the burial chapels of Smoljinac, cosy cabins with a furnished room inside, a storage place for wreaths and funeral paraphernalia, and the family crypt below. Some even have electric power inside. (Photo by Marko Djurica/Reuters)