A pet horse tethered on land known as “The Cracker” in Tipton that may be seized by bailiffs on October 10, 2011 in Dudley, England. Horse lovers in Tipton are battling the local council over the tradition of keeping their horses tethered on public land near their homes. Locals say tradition that has been in existence for generations and believe it stems from the age of the canal when many local men used their horses to tow canal barges along the industrial Black Country canals. After a spate of horses running free Sandwell Council are now enforcing the law and impounding tethered horses. Locals are planning their next protest with a horse drive to the council headquarters to try and save their traditions. (Photo by Christopher Furlong/Getty Images)

Photographer Han Youngsoo captured the ordinary people of Korea as the country emerged from war into an age of prosperity. Han Youngsoo: Photographs of Seoul 1956–63 is at the International Center of Photography (ICP), Jersey City, New Jersey, until June 9, 2017. Here: Seoul, Korea. (Photo by Han Youngsoo/The Guardian)

A kid from Sichuan provice smokes at an assistance center February 23, 2005 in Shenzhen, Guangdong Province, China. The kids, ranging in age from 7 to 16, are temporary residents of the center, one of the institutions established by China's departments of civil affairs to help and administer beggars, vagrants and juvenile delinquents, after rescission of China's compulsory detainment and relocation system. (Photo by Cancan Chu/Getty Images)

Mazouza Bouglada, 86, a berber woman from the Chaouia region, who has facial tattoos, poses for a photograph in Taghit in the Aures Mountain, Algeria October 8, 2015. Bouglada was tattooed aged 7 by a nomadic man from the Sahara region. She was advised by her mother to get tattooed. The more she got tattooed the more she showed off. Even if she still remembers the pain, she felt beautiful once it was done, Bouglada said. She was very proud of her stars on her cheeks. Her eldest sister had been tattooed before her and she wanted to imitate her. Bouglada said she has now given away all her silver jewellery to atone for the sin that believers told her she had committed by being tattooed. (Photo by Zohra Bensemra/Reuters)

Marani Devi Chaudhary (C), aged 40, performs a ritual in front of shaman Paltan Yadav (unseen) at her home in Rajaur village in Dhanusha district, Nepal, 02 November 2017. The shaman identified Marani Devi to be possessed by their lineage god who was dissatisfied by their worship is thought by the family to have caused them misfortune and is even feared lead to their death. (Photo by Narendra Shrestha/EPA/EFE)

“Yunarmiya” (Young Army) All-Russia National Military Patriotic Social Movement Association members compete during the 7th military-patriotic game “Yunarmiya, forward!” dedicated to Victory Day at the Museum-reserve “Gorki Leninskie” in Gorki Leninskie, Russia, 29 April 2025. A total of 160 teams of Yunarmiya and military-patriotic detachments attended the games, each team consisting of seven people aged between 12 and 17 years old. The games are a continuation of the Soviet military-sports competitions for children and teenagers, “Zarnitsa” (since 1967) and “Orlyonok (Eaglet)” (since 1972). (Photo by Sergei Ilnitsky/EPA/EFE)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

At the beginning of the 20th century, Edward S. Curtis set out to document what he saw as a disappearing race: the Native American. From 1907 to 1930, Curtis took more than 2,000 photos of 80 tribes stretching from the Great Plains to the Pacific Northwest and Alaska. He then published and sold these photos, along with narrative text, in 20 volumes of work known as “The North American Indian”. It is one of the most significant collections of its kind, “probably the most important photographic document of its age and its topic,” said Jeffrey Garrett, associate university librarian for Special Libraries at Northwestern University. (Photo by Edward S. Curtis)