A general view of the Coe Collection of American Indian Art press view at the Metropolitan Museum of Art on December 19, 2011 in New York City. (Photo by Dario Cantatore/Getty Images)
A man photographs Anila Quayyum Agha's “Intersections” art work on the first day of ArtPrize at the Grand Rapids Art Museum in Grand Rapids, Mich. on Wednesday, September 24, 2014. (Photo by Emily Rose Bennett/AP Photo/The Grand Rapids Press)
Dutch artist Berndnaut Smilde is interested in the ephemeral -- impermanent states of being which he documents through photographs. For Nimbus II, he used a smoke machine, combined with moisture and dramatic lighting to create a hovering indoor cloud in the empty setting of a sixteenth-century chapel in Hoorn, a small town in Holland. “I imagined walking into a museum hall with just empty walls. The place even looked deserted. On the one hand I wanted to create an ominous situation. You could see the cloud as a sign of misfortune. You could also read it as an element out of the Dutch landscape paintings in a physical form in a classical museum hall.”
Kendall Jenner attends “Rei Kawakubo/Comme des Garcons: Art Of The In-Between” Costume Institute Gala – Arrivals at Metropolitan Museum of Art on May 1, 2017 in New York City. (Photo by David Fisher/Rex Features/Shutterstock)
A scorpion crawls out of the mouth of Thailand's Scorpion Queen and Ripley's Ambassador Kanchana Kaetkaew (also spelled Kanjana Ketkaew), at the Ripley's Believe it or Not museum in Pattaya city, Chonburi province, Thailand, 03 June 2017. (Photo by Diego Azubel/EPA)
“Mr Big Dipper”, Nicholas Roemmelt (Denmark). A stargazer observes the constellation of the Big Dipper perfectly aligned with the window of the entrance to a large glacier cave in Engadin, Switzerland. This is a panorama of two pictures, and each is a stack of another two pictures: one for the stars and another one for the foreground, but with no composing or time blending. (Photo by Nicholas Roemmelt/National Maritime Museum/The Guardian)
Drastic inequality is by no means new in New York. Jacob A. Riis was called a muckraker after he chose to spotlight the city’s poverty at the turn of the 20th century by photographing it. Here: Sweatshop in Hester Street, 1889-1890. (Photo by Jacob A. Riis/Museum of the City of New York, Gift of Roger William Riis)
Jared Leto, holding a model of his own head, attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the “Camp: Notes on Fashion” exhibition on Monday, May 6, 2019, in New York. (Photo by Charles Sykes/Invision/AP Photo)