Middlesbrough star Paul Gasgoigne is confronted by streakers at The Riverside on December 6, 1998 during their match against Newcastle. (Photo by Owen Humphreys – PA Images/PA Images via Getty Images)
An image from House Television shows Republican John Rose speaking on the floor of the House of Representatives as his son Guy makes a face in Washington DC, US on June 4, 2024. (Photo by AP Photo)
Staff members for U.S. Sen. Jeanne Shaheen (D-NH) push a stuffed moose into their office on Capitol Hill on June 11, 2024 in Washington, DC. A stuffed moose named “Marty the Moose” and a stuffed bear named “Kodak the Bear” will be on display in Shaheen's office as part of the thirteenth annual Experience New Hampshire event. (Photo by Andrew Harnik/Getty Images)
Cast members Chase Sui Wonders, Sarah Pidgeon, Gabriella Bechtel, also known as Gabbriette, and Madelyn Cline attend the premiere of the film “I Know What You Did Last Summer”, in Los Angeles on July 15, 2025. (Photo by Mario Anzuoni/Reuters)
In this April 4, 2014 file photo, a community policeman kicks a man who they alledge participated in an ambush against them near the town of La Concepcion, Mexico. The vigilante force was set-up by affected communities opposed to the construction of the La Parota hydroelectric dam. Two vigilantes were injured and one died. (Photo by Bernandino Hernandez/AP Photo)
In this Thursday, May 8, 2014 photo, guests look down from the Tilt!, a new tourist attraction that provides guests a unique view of the downtown area from the 94th floor of the John Hancock Building, after it was unveiled in Chicago. People hold onto handrails as the glass and steel facade tilts forward 30 degrees. (Photo by Ashlee Rezin/AP Photo/Sun-Times Media)
“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)