A worker looks on with his camel as he waits for tourists at the Giza Pyramids on the outskirts of Cairo, Egypt, November 8, 2015. Egypt's Tourism Minister Hesham Zaazou said Cairo regretted the suspension of flights and was doing all it could to secure its airports and tourist sites, adding that he would fly to Sharm al-Sheikh to oversee measures to support tourists there. (Photo by Amr Abdallah Dalsh/Reuters)

“Entwined Lives”. Tim Laman, US Winner, Wildlife photographer of the year. A young male orangutan makes the 30-metre climb up the thickest root of the strangler fig high above the canopy in Gunung Palung national park, one of the few protected orangutan strongholds in Indonesian Borneo. Laman had to do three days of climbing to position several GoPro cameras that he could trigger remotely. This shot was the one he had long visualised, looking down on the orangutan within its forest home. (Photo by Tim Laman/2016 Wildlife Photographer of the Year)

Suffering from a broken nose and bruised ribs Natasha Dzhuley, 16, relaxes after inhaling glue for the first time – something she swore she would never do, 2002. She was beaten by her pimps men in what Ruslana believes was a warning to other prostitutes to stay in line. Though another child believes her pimp had her beaten because she was pregnant. Less than a week after this picture of Natasha was taken she was dragged away by six men. She has not been heard or seen since. (Photo by Kurt Vinion /Getty Images)

South Korean Lee Jung-sook (L), 68, wipes the tears from her North Korean father Lee Heung-jong, 88, as they bid each other a sad farewell at a resort on Mount Kumgang, North Korea, 22 October 2015. About 390 South Koreans arrived at the resort two days ago for the first face-to-face reunion of families separated by the 1950-53 Korean War in nearly 20 months. A second group of some 260 South Koreans will do the same for three days starting on 24 October. (Photo by Yonhap/EPA)

Nature – first prize, stories. Pandemic Pigeons – A Love Story. The photographer’s daughter, Merel, cowers after Dollie flies past and perches on the balcony before entering the house in Vlaardingen in the Netherlands on 6 April 2020. “She’s still frightened when Dollie suddenly lands on the balcony railing. I hide my smile behind the camera, as I try to comfort her by saying they won’t hurt you. “I thought he was going to attack me”, she replies. As the nesting pigeons keep coming back to our place, slowly my girls have started to appreciate them – perhaps not as much as I do, but it’s a start”. (Photo by Jasper Doest/World Press Photo 2021)

Shamila, 15, from an internally displaced family, adjusts her wedding dress in an old mud house yard, on her wedding day, on the outskirts of Kabul, Afghanistan, Friday, May 19, 2023. “I have no choice. If I don’t accept, my family will be hurt”, she says. Due to poverty and debt, her father had to marry her to a boy at a young age. Her father said that if I did not do this, I might have to give my daughter to someone that I owe. Now, with the money I received from the boy's family, I can pay my debt and treat my son. (Photo by Ebrahim Noroozi/AP Photo)

The mystifying flow of motion. We can rarely appreciate its beauty. Though there are ways to capture it on film, allowing us to marvel at its complexity. Stephen Orlando is a photographer who takes pleasure highlighting the magnificence of aquatic sports by using the brilliance of light. The beauty of the images that he creates comes not only from the composition of the photo, but also from the way Stephen managed to show the color transitions between each stroke of the kayaker. Even the rapids do not stand in the way of the marvelous dance of light. (Photo by Stephen Orlando)

A not-so-famous photographer Robert Jahns can do impossible things with common photos. He takes two pictures and joins them into a single composition. Thanks to this creative idea, which is based on the combination of contrasts, ordinary photos become interesting and attractive. Jahns combines several pictures into one seamless scene. A leafless crown of the tree, layered onto deer antlers, creates a real and natural continuation of the deer`s head. Likewise, a rollercoaster with an overview of the city frightens us by being very realistic. (Photo by Robert Jahns A.K.A. Nois7)