“William Hope (1863 – 8 March 1933) was a pioneer of so-called “spirit photography” (spirit photography is a type of photography whose primary attempt is to capture images of ghosts and other spiritual entities, especially in ghost hunting). Based in Crewe, England, he was a member of the well known spiritualists group, the Crewe Circle”. – Wikipedia

Photo: Couple with a young female spirit.

Hikaru Cho believes that we should challenge our imaginations to create new work using traditional tools, not fancy computers and software. (Photo by Jim Marks/PA Wire)

Five-year-old sniffing dog “Vine” wears protection goggles against the sun and dust as he poses together with Giulia Gausemann for photographers, at the sniffing dogs school of the German Army (Bundeswehr) in Daun, Germany, July 24, 2020. The Bundeswehr sniffing dogs school and the veterinarian university of Hanover are developing a training programme to sniff out the coronavirus disease (COVID-19) with dogs at airports, border crossings and other highly frequented places. (Photo by Wolfgang Rattay/Reuters)

A child looks at a polar bear swimming under a water in its enclosure on a hot summer day at Prague Zoo, Czech Republic, July 30, 2015. (Photo by David W. Cerny/Reuters)

A boy sitting with his family looks up at a traditional Chinelo costumed dancer during a celebration 40 days after the birth of Jesus, in Xochimilco on the outskirts of Mexico City, February 2, 2015. The tradition of the Chinelo dates back to colonial times and the outfits and masks, which are supposed to resemble the faces of the Europeans and always sport an uptilted beard, became more elaborate between the 1800s and 1900s to make fun of the upper social classes. (Photo by Edgard Garrido/Reuters)

Hideki Tokoro, president of whaling company Kyodo Senpaku, boards Japan's new whaling mothership, the Kangei Maru, following the ship's launch ceremony at a port in Shimonoseki city, Yamaguchi prefecture on May 21, 2024. The nearly 9,300-tonne ship set sail on its maiden hunting voyage on May 21, heralding a new era for the controversial practice defended by the government as an integral part of national culture. (Photo by Yuichi Yamazaki/AFP Photo)

Pedestrians walk past an art installation by French street artist James Colomina called the “The Briefcase” (bottom) at Shibuya Crossing in the Shibuya district of central Tokyo on May 20, 2025. The display shows a red briefcase – a symbol of work and conformity – with arms, legs and a tie poking out on the ground to illustrate a “salaryman” who has lost his identity, swallowed by his daily routine. (Photo by Richard A. Brooks/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)