Jo-Anne McArthur’s book of photographs puts the spotlight on ethics of zoos around the world. Accompanied by essays by Born Free Foundation’s Virginia McKenna and philosopher Lori Gruen, the images and stories are also shared online through “A Year of Captivity”. Here: Asian Elephant, Denmark, 2016. (Photo by Jo-Anne McArthur/Born Free Foundation/The Guardian)

Damselflies covered in dew rest on a wild flower by the Po River, northern Italy on August 15, 2016. (Photo by Alberto Ghizzi Panizza/Barcroft Images)

National Geographic has created “Air, Land & Sea: the 50 greatest wildlife photographs” exhibition. Here: CT4 Crocodile cave on the Salamat river. Set up with Nathan Williamson last chip rain came while we were with the nomads. (Photo by Michael Nichols/National Geographic)

A baby Sumatran orangutan is bathed after arriving at a wildlife center at Ratchaburi province in Thailand September 13, 2017. (Photo by Kerek Wongsa/Reuters)

A couple have taken their love of animals to the extreme – by opening up their home to over 100 rescued animals. Dr Prakash Amte and his wife, Dr. Mandakini Amte have dedicated their lives to helping both the animals – and people – of Hemalkasa, Maharashtra in India. Here: Prakash Amte is seen playing with a Hyena from his orphanage on September 19, 2017 in Maharashtra, India. (Photo by Haziq Qadri/Barcroft Media)

A demonstrator jumps from a vehicle of the Organisation for Security and Co-operation in Europe (OSCE) during a protest to demand what protesters say is true information from the OSCE about the shelling in Donetsk, Ukraine (since April 2014, the city is the administrative centre of the Donetsk People's Republic), July 23, 2015. The graffiti reads, “Stop moronic war!”. (Photo by Alexander Ermochenko/Reuters)

A supporter of BJP dances during celebrations after learning of initial poll results outside the party headquarters in New Delhi, on May 16, 2014. (Photo by Anindito Mukherjee/Reuters)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)