Going toe-to-toe, these fighting primates could give Floyd Mayweather a run for his money. The amazing images – captured by Australian tourist Julie Rathbone on the banks of the Zambezi river in Africa – show the pair engaging in a few fisticuffs. The Chacma baboons appeared to settle a disagreement by fighting – before a senior baboon plays referee and steps in to break it up. Nurse unit manager Julie Rathbone, 59, from New South Wales, was on a cruise down the river when she spotted the fracas unfolding. (Photo by Julie Rathbone/Caters News)

Bernard Pras uses objects and materials he finds in landfills to create his incredible anamorphic sculptures. His sculptures are often recreations of famous works of art, but he puts his own unique spin on these classics with his amazing optical illusion stacking technique.

Amazing dioram from Internet which is more than just hobby, but Art of Modeling – Submarine Borei – Yuri Dolgoruki is launching missile!

Undated handout photo of Buckbeak, a Hippogriff that lived with Rubeus Hagrid in the Harry Potter series, has his feathers preened and replenished by featherologist Val Jones, as he will feature in the the Feathers and Flight event at Warner Bros. Studio Tour London. This is the first make-over Buckbeak has received since the hugely popular Harry Potter film series was made. His intricate coat is created from thousands of individually airbrushed chicken and goose feathers that Val will carefully clean and replenish in time for the start of Feathers and Flight. Val will lead an expert team to demonstrate the techniques that made winged wonders such as Buckbeak and Fawkes the Phoenix a reality on screen. (Photo by Tim Anderson/PA Wire)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)