Tercio Galdino, 66, and his wife Aliceia, 65, wear their protective “space suits” as they walk on the sidewalk of Copacabana Beach amid the coronavirus outbreak in Rio de Janeiro, Brazil, July 11, 2020. (Photo by Ricardo Moraes/Reuters)

American singer-songwriter Madonna poses for a sеxed up snap with her daughter Lourdes Leon in December 2021. (Photo by madona/Instagram)

North Korean cheerleaders arrive at a rest stop, or service station, as their bus convoy carrying a 280- member delegation on its way to the 2018 Pyeongchang winter Olympic games, makes its way past Gapyeong on February 7, 2018 More than 200 young North Korean women arrived in South Korea to root for athletes from both sides of the peninsula at the Winter Olympics. (Photo by Ed Jones/AFP Photo)

Mariam Ashraf, a teacher and “natural hair influencer”, speaks before a phone on a tripod and lights during a live-stream at her home in Egypt's capital Cairo on March 22, 2022. “Shaggy”, “messy”, “unprofessional”. Natural curls were once looked down upon in Egypt, where Western beauty standards favoured sleek, straight locks. Now, things are changing. (Photo by Khaled Desouki/AFP Photo)

In this July 11, 2018 photo, members of a private photo studio take pictures of a woman in Havana, Cuba. New rules for private business indicate that the government has ruled out going further to open private business, such as allowing small and medium enterprises and authorizing business to operate as societies. Currently, private business licenses are granted only to individuals, and only one license per person. (Photo by Desmond Boylan/AP Photo)

American rapper Saweetie performs at the European MTV Awards in Budapest, Hungary, Sunday, November 14, 2021. (Photo by Vianney Le Caer/Invision/AP Photo)

Members of a cheerleading team warm- up during the Russian Cheerleading Championship of students in Moscow on November 20, 2016. (Photo by Natalia Kolesnikova/AFP Photo)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)