At the beginning of the 20th century, Edward S. Curtis set out to document what he saw as a disappearing race: the Native American. From 1907 to 1930, Curtis took more than 2,000 photos of 80 tribes stretching from the Great Plains to the Pacific Northwest and Alaska. He then published and sold these photos, along with narrative text, in 20 volumes of work known as “The North American Indian”. It is one of the most significant collections of its kind, “probably the most important photographic document of its age and its topic,” said Jeffrey Garrett, associate university librarian for Special Libraries at Northwestern University. (Photo by Edward S. Curtis)

Fans bath in the mud during the “Woodstock Festival Poland” on August 3, 2017 in Kostrzyn Nad Odra, Poland. The annual 3 day music festival organised by The Great Orchestra of Christmas Charity, one of Polands most respected charities aims at spreading awareness about drugs and violence. Przystanek Woodstock in Poland is the largest Europe open air festival. (Photo by Music/Alamy Stock Photo)

The snaps show photographers from around the world, who are willing to do just about anything for the perfect picture – whether that be tussling with a seal or withstanding a sharp shove from an angry gorilla. Other brave snappers can be seen getting up close and personal with leopards and great white sharks as they persist in getting the ultimate wildlife shot. Here: Christophe Vasselin gets pushed over by a gorilla. (Photo by Christophe Vasselin/Caters News Agency)

Wind turbines stand in the Baltic 1 offshore wind farm on April 29, 2011 in the Baltic Sea near Zingst, Germany. Baltic 1, a project of German energy utility EnBW that includes 21 turbines rated at 2.3 megawatts each, will be Germany's first commercial offshore wind farm once it officially begins operation on May 2. Germany has thus far lagged in offshore wind farm construction when compared to neighbors like Great Britain and Denmark, though German Chancellor Angela Merkel has vowed to invest heavily into offshore wind farms as part of an overall policy to encourage renewable energy production. (Photo by Joern Pollex/Getty Images)

Leading contemporary artist Remi LaBarre describes his evocative oils as “painted songs”. Influenced by John Singer Sargent, his work reflects the lighting of hushed environments and presents poetic narratives of life after dark in bars and clubs. Remi's acclaimed artwork has won him a formidable reputation in Europe and North America. His premier UK collection features a breathtaking quartet of musical portraits which represent an atmospheric homage to his great love of jazz.

To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.

Indian ivory furniture legs in the shape of a goddess from the first century AD are displayed in the 'Afghanistan Crossroads of the Ancient World' exhibition at The British Museum on March 1, 2011 in London, England. Displaying treasures that were in great danger during the years of civil war and Taliban rule, these surviving artifacts reveal Afghanistan's ancient culture, its fragility and its remarkable place in world history. The exhibition opens to the public on March 3 and runs until July 3, 2011. (Photo by Peter Macdiarmid/Getty Images). LONDON, ENGLAND – MARCH 01