Lazar and his sister Andjelka sit by a candle in their home in the eastern Serbian town of Majdanpek, December 4, 2014. Electricity workers in Serbia struggled through snow, ice and treacherous terrain on Thursday to restore electricity to an eastern town left shivering without power, heating or running water for a fourth day. (Photo by Marko Djurica/Reuters)

Children attend a war safety awareness class conducted by civil defence members, in the rebel-controlled area of Maaret al-Numan town in Idlib province, Syria May 14, 2016. (Photo by Khalil Ashawi/Reuters)

A general view of atmosphere at the annual VOLT Festival in Sopron, 208 kms west of Budapest, Hungary on August 16, 2016. (Photo by Mudra László/Rockstar Photographers)

A member of the Revolutionary Armed Forces of Colombia (FARC) pose for a picture at a camp in the Colombian mountains on February 2005. (Photo by Frank Piasecki Poulsen)

The sky looked on fire this morning, as it made the clouds glow red, just before sunrise at Peterborough Rowing Lake, in Nene Park, UK on January 18, 2017. (Photo by Paul Marriott/Rex Features/Shutterstock)

Revellers ride during the 54th annual brass band festival in the Serbian village of Guca August 7, 2014. Every year Guca is swamped by thousands of people taking part in the celebration of brass band music. (Photo by Marko Djurica/Reuters)

That's exactly what Vionnet's "Photo Opportunities" series does: takes hundreds of tourist photos of iconic landmarks, superimposes them into semi-transparency, and lets a dreamlike meta-image emerge.

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)