A participant wearing his cosplay featuring a character from an animation gets his government contact tracing QR code in the “LeaveHomeSafe” COVID-19 mobile app scanned at Ani-Com and Games exhibition in Hong Kong, Friday, July 29, 2022. (Photo by Kin Cheung/AP Photo)

Japan's computer giant Fujitsu employee displays the world's first personal computer with Intel's RealSense 3D camera “FMV Esprimo” in Tokyo on October 9, 2014. The new desktop PC with 23-inch LCD display can make avatars which mimic the user's look and motion for chatting on the Internet. (Photo by Yoshikazu Tsuno/AFP Photo)

HRP-4C, a five-foot humanoid robot developed at Japan's National Institute of Advanced Industrial Science and Technology, sings and dances with performers at the Digital Contents Expo in Tokyo on October 17, 2010. The robot runs entertainment software called Choreonoid, a name formed from the words “choreograph” and “humanoid”. (Yoshikazu Tsuno/AFP)

A woman uses the Aurasma app on an iPad which displays a virtual 3D animation of a Thundercat character which her colleague pretends to fight at the 2012 London Toy Fair at Olympia Exhibition Centre on January 24, 2012 in London, England. The annual fair, which is organised by the British Toy and Hobby Association, brings together toy manufacturers with retailers from around the world. (Photo by Oli Scarff/Getty Images)

A cat wears a “Tsunagaru Col” gadget next to a smart phone displaying the connected app, at the Anicall Corp booth during the Wearable Device Technology Expo in Tokyo January 14, 2015. The gadget (“Tsunagaru” means connection) for animals tracks information about pets, such as the location and other animals the pet might be interacting with, with the purpose of providing “social networking” for animals. The expo runs until January 16 as a part of Japan's largest electronic exhibition expected to attract around 77,000 visitors, according to organisers. (Photo by Yuya Shino/Reuters)

Andrew Ferez, born and raised in Russia is an artist who inherited his creativity and interest in the arts early on and trained his artistic skills and knowledge ever since, in a never-ending process.
Andrew’s genre is a mix between macabre and horror with a poetic hint. His illustrations transports us into the deepest recesses of our mind, showing us impossible worlds that are both scary yet surprisingly familiar or enticing. Most of his artworks are two dimensional but in some of his latest artworks he used the help of some 3D software as well.