In this 2003 photo provided by the U.S. Army Soldier Systems Center, a model wears the Scorpion Ensemble developmental battle dress expected to be field-ready in the year 2011 in Natick, Massachusetts. The uniform and gear, including armor and night vision, communication and body sensing equipment, is expected to weigh only 40 to 50 pounds. (Photo by Sarah Underhill/U.S. Army Soldier Systems Center/Getty Images)

P.S. Somebody knows – this piece have really created?

You don't often see a man walking around a field of cows wearing a pink tutu. Needless to say, we were intrigued by Bob Carey and the shirtless photos of him gallivanting around in a costume often worn by little girls. We sensed there was a good story behind this alter-ego ballerina, but we didn't expect it would be this heartwarming.

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)