Google's vice president Alan Eustace looks out of his spacesuit into the stratosphere prior to a record-breaking skydive over New Mexico, in this still image taken from video October 24, 2014, a handout courtesy of the Paragon Space Development Corporation. Eustace was lifted up 135,890 ft (41,420 metres) by an enormous balloon while wearing a specially designed pressurized space suit, the Paragon Space Development Corporation said. Eustace remained in a free fall for approximately 4.5 minutes before landing safely nearly 70 miles (43.4 kms) from his launch point, setting a world record for the highest skydive and breaking the sound barrier in the process. Eustace landed safely on the ground just 15 minutes after he was lifted into the air. (Photo by Reuters/Paragon Space Development Corporation)

A demonstrator wearing a The Martians from Sesame Street costume holds a placard depicting U.S. President Donald Trump, U.S. Secretary of Defense Pete Hegseth, U.S. Attorney General Pam Bondi, U.S Vice President JD Vance, U.S. Homeland Security Secretary Kristi Noem, White House Deputy Chief of Staff Stephen Miller and U.S. House Speaker Mike Johnson as people march down the National Mall to take part in a “No Kings” protest against U.S. President Donald Trump's policies, in Washington, D.C., U.S., October 18, 2025. (Photo by Leah Millis/Reuters)

“Exactly one year before the long awaited Sochi Olympics, Vladimir Putin went to Sochi personally to see how the construction is going. After receiving a report saying the ski jumps that were supposed to be ready in 2011, are not completed still, while their price has sky-rocketed from 1.2 billion to 8 billion roubles, he commented, “Good for you. Good job”, and then fired the vice president of the Olympic committee. Russian artist Vasily Slonov painted his view of the upcoming games, giving a new interpretation to the adored Russian mascot Cheburashka, and combining officially endorsed stereotypes of Russia with grimmer and less accepted ones”. – Ruskie.info. (Photo by Vasily Slonov)

“Microscope images forge an extraordinary bond between science and art, said Hidenao Tsuchiya, Olympus America's Vice President and General Manager for the Scientific Equipment Group. We founded this competition to focus on the fascinating stories coming out of today's life science research laboratories. The thousands of images that people have shared with the competition over the years reflect some of the most exciting work going on in research today – work that can help shed light on the living universe and ultimately save lives. We look at BioScapes and these beautiful images as sources of education and inspiration to us and the world”. – OlympusBioScapes

Photo: Pretarsus of the third leg of a female drone fly (Eristalis tenax), ventral view, by Dr. Jan Michels, Institute of Zoology, Christian-Albrechts-University of Kiel, Germany. (Photo by Olympus BioScapes)

Stephen Webster is a world renowned jewelry designer, who opened his first store in London in 1994, and in just 14 years had 20 international boutiques. This designer is most famous for his steam punk, rock and roll, and gothic styles of fine jewelry. His latest collection is named “The Seven Deadly Sins”, in which he has created seven cocktail rings, each of which depicts one of the seven vices. Each of the deadly sins is instantly recognizable in the shape and form of the rings, with Lust being the most beautiful ring of this set (in our opinion). Despite their beauty, few people would be daring enough to wear one of such rings. Who would want to share their sins with the world? Who would be arrogant enough?

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.