A worker at the Jabal Saraj cement factory poses for a photograph in Jabal Saraj, north of Kabul, Afghanistan April 19, 2016. In an area desperately short of industry and jobs, local workers hope that the relaunch of the plant in Jabal Saraj, built by Czech engineers in 1957 and closed down by the Taliban in 1995, can show that Afghanistan's shattered industry can climb back to its feet after decades of war and destruction. But the outdated state-owned plant some 75 kilometres outside Kabul also shows how far it has to go before that promise can be achieved and there are serious questions over whether it has a viable future unless a new, modern facility is built to replace it. (Photo by Ahmad Masood/Reuters)

“Jimi Hendrix made it shriek. Buddy Holly made it swing. Stevie Ray Vaughn made it snarl. Some of the most legendary guitarists in music history have elicited unforgettable sounds from the Fender Stratocaster, the distinctive double-cutaway guitar born in a small Fullerton, Calif., workshop 60 years ago this month”. – Associated Press. Photo: A finished Fender Stratocaster is adjusted by Kenneth Maas in the Fender Custom Shop in Corona, Calif. on Tuesday, October 15, 2013. Leo Fender developed the instrument in a small workshop in Fullerton, Calif. six decades ago. (Photo by Matt York/AP Photo)

Hidden Britain category winner. Garden Spider by Alan Smith from Reading, Berkshire. (Photo by Alan Smith/British Wildlife Photography Awards/PA Wire Press Association)

Berlin-based artist Sebastian Bieniek unfolds the story of a two-faced female in his series of photographs “doublefaced”. Using an eye pencil and lipstick, bieniek simply draws an image of a face onto the side of skin. The sketch includes only one eye: carefully placed hair hides the rest of the face from view, revealing one, moving eye of the model. Blue, brown, awake, and sleeping variations create portraits with unique expressions and an illustrative sensibility. The 22 photographs of the hybrid girl expose her daily routine – drinking coffee, traveling on the train, taking a shower, and smoking cigarettes – capturing the daily life of a female with two faces.

Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.

Have you ever heard of a phenomenon called the Uncanny Valley? Illustrations created by Swiss illustrator Christo Dagorov show how horrible something may look when it’s a hair’s breadth away from looking human. In his illustrations he combined the shape of human lips with trees, buildings, and even human bodies, making it look from a distance as if the lips were horribly deformed by some unknown disease. However, after a while you make out the shapes, yet the feeling of uneasiness remains, making you shiver from unsuppressable disgust. (Photo by Christo Dagorov)

Humanoid robot bartender “Carl” interacts with guests at the Robots Bar and Lounge in the eastern German town of Ilmenau, July 26, 2013. “Carl”, developed and built by mechatronics engineer Ben Schaefer who runs a company for humanoid robots, prepares spirits for the mixing of cocktails and is able to interact with customers in small conversations. (Photo by Fabrizio Bensch/Reuters)

Every November (AKA Dinovember), Refe Tuma and his wife pose their kids’ plastic dinosaurs engaging in activities in order to convince their kids the toys come to life while they sleep. It started out small, with dinosaurs stealing food from the kitchen and making small messes, but Dinovember quickely escalated into dinosaurs playing board games, kidnapping other toys, and watching that scene from The Land Before Time while crying tiny little toy dinosaur tears made from paper.