A member of the media has her photograph taken with an exhibit at Ghibli's Grand Warehouse during a media tour of the new Ghibli Park in Nagakute, Aichi prefecture on October 12, 2022. (Photo by Yuichi Yamazaki/AFP Photo)

Travellers wait in queue to test for COVID-19 at a train station in Mumbai, India, Tuesday, November 30, 2021. (Photo by Rafiq Maqbool/AP Photo)

In this Tuesday, January 22, 2019 photo, the wife of Saghir Khan,Anisa Khan, holds their daughter, Alfisa, at the family's house in Mirzapur. Saghir was beaten by a group of Hindus after being spotted transporting cows. (Photo by Bernat Armangue/AP Photo)

Model Lara Lieto arrives for the Vanity Fair Oscar Party hosted by Graydon Carter at the Wallis Annenberg Center for the Performing Arts on February 26, 2017 in Beverly Hills, California. (Photo by Danny Moloshok/Reuters)

Female winner Ane Guro Moen at Hardangervidda Marathon on September 2, 2017 in Eidfjord, Norway. Hardangervidda Marathon goes through parts of the National Park of Hardangervidda, passing through glaciers and waterfalls. (Photo by Kai-Otto Melau/Getty Images)

Young gymnasts practice pull-up on a bar at a gymnasium of a sports school in Jiaxing, Zhejiang province April 11, 2015. (Photo by William Hong/Reuters)

Hannan Iskandar gets ready before she starts to drive her car in her neighborhood, in Al Khobar, Saudi Arabia on June 24, 2018. Saudi Arabia ended its longstanding ban on women driving on June 24, 2018 – and the second the clock struck midnight, women across the country started their engines. (Photo by Hamad I Mohammed/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)