US Vogue’s top fashion editor works with photographers to inject style with sci-fi and fantasy. A new book, “Stoppers: Photographs from My Life at Vogue” by Phyllis Posnick and Vogue’s chief editor, Anna Wintour, highlights the results. Here: Surburban Woman #10, Mountainville, New York, August 2006. (Photo by Steven Klein)

Skoda caused a huge stir with its car made out of cake. The advert features an army of bakers creating a Fabia out of an array of tasty baked treats, while Julie Andrews sings about her favourite things in the background. The chassis is built from huge slabs of sponge cake. Its paintwork is marzipan. Golden Syrup lubricates the engine. And the roof is finished with sugar.

Runner-up. “The heavens opened and the streets around Shibuya, Tokyo, were suddenly drenched in even more colour and movement. I was taking photos (my friend was holding the umbrella) when I noticed this woman at the crossing. I’m pleased with the futuristic feel of the image”. (Photo by Katherine Bridgestock/The Guardian)

The Arabian mare “Jenny” curiously sniffs at the child of Raphael Wöllstein, who is on his way to the train, on her daily walk through the Fechenheim district of Frankfurt, Germany on March 8, 2019. Her owner opens the stable door for the 22-year-old horse every morning. Then the animal can decide for itself where it wants to spend the day. So that nobody thinks she's escaped, a sign with the inscription “My name is Jenny, didn't run away, just go for a walk” is on the halter. (Photo by Boris Roessler/dpa)

Winner. “This was taken in the South Ari Atolls, Maldives, as the south-west monsoon season was setting in. It features my partner – and dive buddy – Emma after surfacing at the end of the last dive of the day to find 1.5 metre swells and dark monsoon clouds. MICK RYAN, JUDGE: This beautiful portrait of a diver in an ocean swell below a menacing sky stands out this month for its emotional and elemental beauty. It is a reminder that while we may play among nature we are always dwarfed by its power and must be constantly on our guard”. (Photo by Simon Dunn/The Guardian)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)