Syrian refugee boys play with toy guns at Eminonu district in Istanbul, Turkey, 08 January 2019. (Photo by Sedat Suna/EPA/EFE)

Revellers out in Blackpool, Lancashire, United Kingdom on New Year's Eve, December 31, 2018. (Photo by Lorne Campbell/Guzelian)

These men are chased by the defiant elephants on May 4, 2013. Taken by Biplab Hazra in Bishnupur, India, the images show the extreme lengths the inhabitants of the town go to to deter elephants from damaging their crops and property. Elephants encroaching out of their habitats is an increasingly common occurrence with deforestation in much of India. (Photo by Biplab Hazra/Caters News Agency)

Soldiers evacuate a hostage from a mass shooting scene at the Terminal 21 shopping mall in Nakhon Ratchasima, Thailand, 09 February 2020. According to media reports, at least 21 people were killed, and as many as 30 wounded after a Thai soldier, identified as 32-year-old Jakraphanth Thomma, went on a shooting rampage with a M60 machine gun in the city of Nakhon Ratchasima, also known as Korat. Thomma held an unknown number of people hostage within the Terminal 21 shopping mall for around 17 hours before being shot and killed in a police operation. (Photo by Rungroj Yongrit/EPA/EFE)

Katie Handler, veterinary technician with the New England Wildlife Center, reaches to try to capture an oil-covered goose along the Muddy River, Monday, December 9, 2024, in Brookline, Mass., as wildlife rescuers tended to dozens of birds that were soaked in oil after an apparent spill. (Photo by Charles Krupa/AP Photo)

Students perform traditional dance as they take part in Pongal celebrations, the Tamil harvest festival, at a college in Chennai on January 10, 2024. (Photo by R. Satish Babu/AFP Photo)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.