Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.

British prime minister Winston Churchill (1874–1965) stops to pet a cat at Liverpool Street Station, 24th May 1952. (Photo by Keystone/Hulton Archive/Getty Images)

A zoo performer smiles as he puts his head between the jaws of a crocodile during a performance for tourists at the Sriracha Tiger Zoo, in Chonburi province, east of Bangkok,Thailand, June 7, 2016. (Photo by Chaiwat Subprasom/Reuters)

Actress Marilyn Monroe poses for a portrait in a bathing suit and high heels with a bottle of Coca-Cola in a glass on a table behind her in circa 1953. (Photo by Michael Ochs Archives/Getty Images)

British model Jean Shrimpton at London Airport (now Heathrow), 5th June 1967. (Photo by Dove/Express/Getty Images)

Cardi B attends the Fanatics Super Bowl Party at College Football Hall of Fame on February 2, 2019 in Atlanta, Georgia. (Photo by Shareif Ziyadat/WireImage)

Waves to the height of 10m reaching 20-30m at the point of impact smashed against the coastline of the idyllic coastal city of Saint Malo, France on April 10, 2024. The extreme tidal waves were the result of Storm Pierrick. (Photo by Mathieu Rivrin/Solent News & Photo Agency)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.