In the desert near Joshua Tree, California, there stands a 70-year-old homestead cabin that isn’t all there. The ethereal cabin is part of an outdoor art installation by artist Phillip K. Smith III called Lucid Homestead. To give the cabin its striking appearance, the artist replaced strips of the wall with mirrors and the windows with mirrored panels that light up at night. The building reflects the desert sun and environment around it, making it seem like an airy and transparent space

Brad Says “Brick sculpture can be dated back to ancient Babylon but remains a fresh and interesting enhancement to any building, wall or environment. The brick medium has all the same characteristics of durability and low maintenance as a brick building, blends well in settings where other brick construction is present, looks good with landscaping and has a familiarity which is comforting to people. Brick sculpture adds intrigue and interest to a commonly understood material as viewers try to figure out the techniques by which it was created.”

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

Hawaiian surfer Sean Yoro aka Hula combines his love of surfing and his artistic talent, creating hyperrealistic portraits of bathing women at different seaside locations. His work is inspired by street art and abandoned spaces that he uses as his hard-to-reach canvases. Carefully carrying cans of colored paint on the edge of his board, the New York-based artist applies his half submerged female portraits onto the wall.

Pictures of deceased people are seen inside a chapel at a cemetery in the village of Smoljinac, Serbia, October 25, 2016. From a distance, the cemetery in the eastern Serbian village of Smoljinac looks like a residential neighbourhood eerily placed among graves. But once inside the grounds, after passing a section with the usual stone slabs, visitors find rows of small bungalows painted in pastel colours. They have one or two rooms, large windows and ornate plaques – some inside, some outside – memorialising the deceased. These are the burial chapels of Smoljinac, cosy cabins with a furnished room inside, a storage place for wreaths and funeral paraphernalia, and the family crypt below. Some even have electric power inside. (Photo by Marko Djurica/Reuters)

In this third of seven sequential photos, Elian Gonzalez is held in a closet by Donato Dalrymple, one of the two men who rescued the boy from the ocean, right, as government officials search the home of Lazaro Gonzalez for the young boy, early morning, April 22, 2000, in Miami, Florida. Armed federal agents seized Elian Gonzalez from the home of his Miami relatives before dawn, firing tear gas into an angry crowd as they left the scene with the weeping 6-year-old boy. This photo won the Prize in 2001. (Photo by Alan Diaz/AP Photo)

In this photo taken Sunday, March 12, 2017, a girl Abuk walks home with her brothers and friends after collecting clean water from a water point four kilometers away from her home, in Aweil, in South Sudan. As World Water Day approaches on March 22, more than 5 million people in South Sudan, do not have access to safe, clean water, compounding the problems of famine and civil war, according to the UNICEF. (Photo by Mackenzie Knowles-Coursin/UNICEF via AP Photo)