The Bridge “Rakotzbrücke” is pictured against trees in autumn colours in the the eastern German town of Kromlau November 4, 2014. (Photo by Hannibal Hanschke/Reuters)

Hideki Tokoro, president of whaling company Kyodo Senpaku, boards Japan's new whaling mothership, the Kangei Maru, following the ship's launch ceremony at a port in Shimonoseki city, Yamaguchi prefecture on May 21, 2024. The nearly 9,300-tonne ship set sail on its maiden hunting voyage on May 21, heralding a new era for the controversial practice defended by the government as an integral part of national culture. (Photo by Yuichi Yamazaki/AFP Photo)

This aerial image shows autumn leaves at their peak as they surround Tsutenkyo Bridge amongst the grounds of Tofukuji Temple, in the city of Kyoto on November 27, 2024. (Photo by JIJI Press/AFP Photo)

In this file photo dated April 20, 1964, James Bond, alias, Sean Connery, finds himself in a sticky situation with actress Shirley Eaton at Pinewood Studios, near London. Miss Eaton was given a liberal coating of gold paint for a scene in the latest Bond thriller “Goldfinger”, with unidentified woman at top. Scottish actor Sean Connery, considered by many to have been the best James Bond, has died aged 90, according to an announcement from his family. (Photo by Victor Boynton/AP Photo)

A girl dives under a wave at Bondi Beach as temperatures reached 29 degrees celsius on December 17, 2020 in Sydney, Australia. The Bureau of Meteorology predicted the arrival of thunderstorms and showers later today with a southerly change bringing possible severe storms around the Sydney region. (Photo by Mark Evans/Getty Images)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.