Synalpheus iocasta; Singapore Marine. (Photo by Arthur Anker)

Mel Harris shouts whilst a pick up truck belches smoke on the final night of the Deni Ute Muster in Deniliquin, New South Wales, Australia, October 1, 2016. In the small rural town of Deniliquin, on the edge of Australia's vast outback, around 20,000 “ute” lovers gathered in the mud to champion a national treasure deemed surplus to requirements by the big car manufacturers. (Photo by Jason Reed/Reuters)

A housewife whose family lives in a shanty cooks beside a road in Manila, Philippines May 25, 2016. (Photo by Erik De Castro/Reuters)

Revellers dance at Notting Hill Carnival on August 29, 2016 in London, England. The Notting Hill Carnival, which has taken place annually since 1964, is expected to attract over a million people. The two-day event, started by members of the Afro-Caribbean community, sees costumed performers take to the streets in a parade and dozens of sound systems set up around the Notting Hill streets. (Photo by Jack Taylor/Getty Images)

In a January 19, 2014 photo Phillip Seymour Hoffman poses for a portrait at The Collective and Gibson Lounge Powered by CEG, during the Sundance Film Festival in Park City, Utah. Hoffman, who won the Oscar for best actor in 2006 for his portrayal of writer Truman Capote in “Capote” was found dead Sunday in his apartment in New York with what law enforcement officials said was a syringe in his arm. He was 46. (Photo by Victoria Will/AP Photo/Invision)

A young macaque perches on a pole, observing nearby tourists while eating some seeds in Jigokudani Yaen-koen wild macaque monkey park on February 16, 2015 in Yamanouchi, Nagano, Japan. (Photo by Manuel Romaris/Getty Images)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.