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Model Bianca Balti prepares backstage at the Iceberg Autumn/Winter 2012/2013 fashion show as part of Milan Womenswear Fashion Week

Model Bianca Balti prepares backstage at the Iceberg Autumn/Winter 2012/2013 fashion show as part of Milan Womenswear Fashion Week on February 24, 2012 in Milan, Italy. (Photo by Tullio M. Puglia/Getty Images)
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25 Feb 2012 10:24:00


Coonoor is a municipality in the Nilgiris district in the state of Tamil Nadu, India. It is known for its production of Nilgiri tea. Coonoor is located at an altitude of 1,850 m above sea level and is the second largest hill station in the Nilgiri hills after Ooty. Coonoor is known for the massive private tea plantations that surround the hills. The local economy of Coonoor runs on tourism and tea production. (Photo by Qamar Abbas)
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06 Sep 2014 10:18:00
The mother of a protester mourns at a hospital after her son was killed was killed during clashes on March 03, 2021 in Yangon, Myanmar. Medics and health workers have found themselves on the front lines and under intense pressure, as they try to help anti-coup protesters as resistance continues to erupt across the country, to be met with deadly force by the military junta. The military government has intensified a crackdown on protesters in recent days, using tear gas and live ammunition, charging at and arresting protesters and journalists. At least 25 people have been killed so far, according to monitoring organizations, leaving ill-equipped medics to help scores of the injured. (Photo by Stringer/Getty Images)

The mother of a protester mourns at a hospital after her son was killed was killed during clashes on March 03, 2021 in Yangon, Myanmar. Medics and health workers have found themselves on the front lines and under intense pressure, as they try to help anti-coup protesters as resistance continues to erupt across the country, to be met with deadly force by the military junta. (Photo by Stringer/Getty Images)
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04 Mar 2021 08:45:00
Praia du Forte, Bahia. “This was the lead picture for a National Geographic story on Bahia, because it was both mysterious as well as a “geography” picture showing where the slaves arrived from Nigeria. Beach pictures seem like they should be easy to take, but for me they are actually quite difficult. Too easy to fall into cliche. When I saw the kid coming on the horse, I quickly ran to see if I could make something with a woman in a bikini that was not a bikini shot”. (Photo by David Alan Harvey/The Guardian)

Praia du Forte, Bahia. “This was the lead picture for a National Geographic story on Bahia, because it was both mysterious as well as a “geography” picture showing where the slaves arrived from Nigeria. Beach pictures seem like they should be easy to take, but for me they are actually quite difficult. Too easy to fall into cliche. When I saw the kid coming on the horse, I quickly ran to see if I could make something with a woman in a bikini that was not a bikini shot”. (Photo by David Alan Harvey/The Guardian)
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20 Aug 2016 11:35:00
Ismail Mustafa, seen in 2007. “I was collecting mushrooms on the hill near here. I didn’t see the mine. There was a huge explosion. When I woke up I saw that both my legs were gone; I thought my life was over. My brother and another guy were with me. They made a stretcher from sticks and tied it together with clothing. It took two hours to get off the mountain. ‘My daughter has also been injured. She found a shell and brought it into the house and put it on the fire. She didn’t know what she was doing at the time – she was only three. She is blind and has lost an arm”. (Photo by Sean Sutton for the Mines Advisory Group/The Guardian)

Ismail Mustafa, seen in 2007. “I was collecting mushrooms on the hill near here. I didn’t see the mine. There was a huge explosion. When I woke up I saw that both my legs were gone; I thought my life was over. My brother and another guy were with me. They made a stretcher from sticks and tied it together with clothing. It took two hours to get off the mountain. ‘My daughter has also been injured. She found a shell and brought it into the house and put it on the fire. She didn’t know what she was doing at the time – she was only three. She is blind and has lost an arm”. (Photo by Sean Sutton for the Mines Advisory Group/The Guardian)
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08 Sep 2017 09:33:00
Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)
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10 Jun 2016 13:30:00
Jessica Hilltout : Amen-Grassroots Football

The images in Jessica Hilltout‘s Amen tell a gripping story of the joy soccer provides for Africa’s less fortunate. Inspired by her father, Hilltout set off to photograph soccer in Africa in all its shapes and sizes, coming to the conclusion that “the beautiful game exists in its purest form in what I saw — people playing for the joy of playing.”
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18 Oct 2012 10:49:00
«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)
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10 Aug 2025 04:03:00