Ismail Mustafa, seen in 2007. “I was collecting mushrooms on the hill near here. I didn’t see the mine. There was a huge explosion. When I woke up I saw that both my legs were gone; I thought my life was over. My brother and another guy were with me. They made a stretcher from sticks and tied it together with clothing. It took two hours to get off the mountain. ‘My daughter has also been injured. She found a shell and brought it into the house and put it on the fire. She didn’t know what she was doing at the time – she was only three. She is blind and has lost an arm”. (Photo by Sean Sutton for the Mines Advisory Group/The Guardian)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

These are the stunning panoramic shots of some of the worlds most beautiful locations. Company AirPano travel the world photographing its wonders from above. Their shots include famous cities – such as New York, Paris and Barcelona – as well as natural marvels, like volcanoes and waterfalls. The team, which consists of 12 members – nine photographers and three tech specialists – began looking into this style of photography in 2006. Project coordinator Sergey Semenov revealed after initially working with spherical panoramas on land, the group decided to take to the skies. They made a list of the 100 Best Places on the Planet, which they hoped to photograph over the coming years. Here: Dubai. (Photo by Airpano/Caters News)

Russian artist Salavat Fidai is obsessed with things in miniature, and he has previously painted miniatures on pumpkin seeds and carved sculptures into the graphite tips of pencils. For this project, he's gone for something a little bit bigger, but not by much. One of Fidai's favorite painters is the legendary Vincent Van Gogh, so he decided to do a series where he recreated some of Van Gogh's famous works on matchboxes.

Latvian cyclists have decided to show the automobilists just how absurd it is to have only a single occupant in a car. The car takes up an enormous amount of space on the road; however, everyone is so used to it that no one ever notices it. It’s not hard to guess the thoughts of automobilists, and how they cursed those cyclists for taking up so much space. However, they have only themselves to blame. If everyone rode only bicycles to work, then there would never be such a thing as a traffic jam, the air in the city would become cleaner, while people would live longer, healthier lives, since cycling is a wonderful way to use the extra fat on your belly as the “fuel” for your bike.

The last series of Sam Taylor-Wood's that I have looked into is called Bram Stoker's Chair. This series links with her Suspended series in that they both show the artist seemingly poised in mid-air. These photos have the added element of the chair being there for her to balance on, giving her more of a physical connection with her surroundings.

"I am completely inspired by the natural world. Beauty is everywhere. It is the growth of the forest, the depth of the sea, and the curve of the bone. It is skin, scales, bark, and tide pool ripples. It is texture, and it is raw. I am a translator of life, and I am compelled to narrate it."