A woman reacts after she mades a wreath of flowers during the celebrations of the Kupala night in Pyrohiv, near Kiev, on July 6, 2021. During the celebration, an ancient slavic ritual related to the summer solstice, people wear wreaths, jump over fires and bathe naked in rivers and lakes. (Photo by Sergei Supinsky/AFP Photo)

A vampire poses for a photograph as she arrives at Whitby Abbey ahead of a Guinness world record attempt to gather the largest number of vampires together in one place, in Whitby, north-east England on May 26, 2022. (Photo by Christopher Thomond/The Guardian)

Jo Swinson, Leader of the Liberal Democrats takes part in some boxing practice as she campaigns at a boxing gym for young people on November 13, 2019 in London, England. The United Kingdom will hold a general election on December 12. (Photo by Leon Neal/Getty Images)

Ukraine's Taisiia Onofriichuk performs with the clubs as she competes in the rhytmic gymnastics' individual all-around qualification during the Paris 2024 Olympic Games at the Porte de la Chapelle Arena in Paris, on August 8, 2024. (Photo by Mike Blake/Reuters)

A protester, wearing a dress in the colours of the Ukrainian flag, is detained by security after she covered herself in fake blood on the stairs on the Festival Palace ahead of the screening of the film “Acide” during the 76th edition of the Cannes Film Festival in Cannes, southern France, on May 21, 2023. (Photo by Christophe Simon/AFP Photo)

Aoife Ni Heochaidh enjoys the sunrise as she welcomes winter solstice at the 5000-year-old stone age passage tomb of Newgrange in the Boyne Valley, as entry inside the chamber is closed for the second year due to coronavirus disease (COVID-19) pandemic, in Newgrange, Ireland, December 21, 2021. (Photo by Clodagh Kilcoyne/Reuters)

This image released by National Geographic shows Katia Krafft wearing an aluminized suit as she stands near lava burst at Krafla Volcano, Iceland, in a scene from the documentary “Fire of Love”. (Photo by National Geographic via AP Photo)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.