That's exactly what Vionnet's "Photo Opportunities" series does: takes hundreds of tourist photos of iconic landmarks, superimposes them into semi-transparency, and lets a dreamlike meta-image emerge.

Women smeared with “Gulal” as they celebrate Holi, the Hindu spring festival of colours, in Kolkata on March 25, 2024. (Photo by Dibyangshu Sarkar/AFP Photo)

A relative (L) of Champa Devi, 88, sits next to her body, minutes after her death at Mukti Bhavan (Salvation House) at Varanasi, in the northern Indian state of Uttar Pradesh, June 21, 2014. The city of Varanasi, on the banks of the River Ganges, is widely considered Hinduism's holiest city and many Hindus believe that dying there and having their remains scattered in the Ganges allows their soul to escape a cycle of death and rebirth, attaining “moksha” or salvation. “Mukti Bhavan” or “Salvation House”, is a charity-run hostel that caters for people who wish to come to Varanasi to die. Guests can normally stay up to two weeks after which, if they haven't yet passed away, they are gently asked to leave. (Photo by Danish Siddiqui/Reuters)

“The Family of Man” opened at The Museum of Modern Art in January 1955 and was curated by Edward Steichen. It was groundbreaking in its scope – 503 images by 273 photographers from 68 countries – as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. The touring exhibit drew over 9 million people and the accompanying catalog sold over 2.5 million copies. Here: “Coney Island, New York”, by American photographer Garry Winogrand, circa 1952. (Photo by Garry Winogrand)

Irene Bowker, 88 years old at the Punk Rebellion festival at The Winter Gardens, talks to a woman with a tatooed head and mohican haircut in Blackpool, Lancashire, UK on August 6, 2015. A clash cultures at the famous seaside town of Blackpool as punks attending the annual Rebellion festival at the Winter Gardens come shoulder to shoulder with traditional holidaymakers. (Photo by MediaWorldImages/Alamy Stock Photo)

Architectural photographer Victor Enrich has shared with ArchDaily a series of 88 images — one for every key in the classical piano — exploring the various formal possibilities of the NH Deutscher Kaiser Hotel in Munich, Germany. “I found it beautiful,” says Enrich, “to connect two distinct artistic disciplines such as photography and computer graphics with the piano.” See further illustrations and read a full description of his thought process following the break.