Two women react to the camera as Nightclub Circus hosts the first dance event, which will welcome 6,000 clubbers to the city's Bramley-Moore Dock warehouse on April 30, 2021 in Liverpool, England. The event is part of the national Events Research Programme which will provide data on how events could be permitted to safely reopen. (Photo by Anthony Devlin/Getty Images)

Wounded Reuters photographer Gleb Garanich, who was injured by riot police, takes pictures as riot police block protesters during a scuffle at a demonstration in support of EU integration at Independence Square in Kiev November 30, 2013. Riot police in the Ukrainian capital Kiev used batons and stun grenades to disperse hundreds of pro-Europe protesters from the city's main Independence Square early on Saturday, witnesses said. (Photo by Reuters/Stringer)

Russian soldiers run along Red Square in central Moscow on September 29, 2022, as the square is sealed prior to a ceremony of the incorporation of the new territories into Russia. Russia will formally annex four territories of Ukraine its troops occupy at a grand ceremony in Moscow on Friday, the Kremlin has announced, after Russia suggested it could to use nuclear weapons to defend the territories. (Photo by Alexander Nemenov/AFP Photo)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Ray Collins is a colorblind Australian coal miner who is in love with the ocean. He spends his off days photographing it. Collins says he enjoys capturing the moment before the moment, the anticipation, not knowing how the end of the wave's journey will play out. (Photo by Ray Collins)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

A woman photographs a Norwegian spruce Christmas tree from Oslo after it was lit at Trafalgar Square in central London, December 4, 2014. (Photo by Toby Melville/Reuters)