Pupils wearing face masks wait for the opening of their primary school on the first day of the new school year, in Ouagadougou, on October 1, 2020. (Photo by Olympia de Maismont/AFP Photo)

A woman runs through a sea foam, as a seasonal cold front moved over the Cape Peninsula, following a week of severe weather and flooding in Cape Town, South Africa on June 19, 2023. (Photo by Nic Bothma/Reuters)

Lea Meyer of Germany falls at the water in the women's 3000m Steeplechase heats at the World Athletics Championships Oregon22 at Hayward Field in Eugene, Oregon, USA, 16 July 2022. (Photo by Robert Ghement/EPA/EFE)

Kagome Co's employee Shigenori Suzuki tries to eat a tomato which is fed to him by the newly-developed “Wearable Tomato” device for runners, during its unveiling event ahead of the weekend's Tokyo Marathon in Tokyo February 19, 2015. The eight-kilo (17.6-pound) contraption fits on a runner like a rucksack. It can distribute a total of seven medium-sized tomatoes, one by one, at the click of a button and supplies the runner with much needed nutrients during a long jog or race. (Photo by Toru Hanai/Reuters)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.