A general view of the Drax Power Station, illuminated in the colours of the Ukrainian flag, in North Yorkshire, Britain on April 1, 2022. (Photo by Lee Smith/Reuters)

A woman takes pictures with her mobile phone at a building, which is made by half of a replica of the Qinian Hall of the Temple of the Heaven (R) and half of a western building, at a studio for productions of films and television shows on the outskirts of Shijiazhuang, Hebei province, China, December 3, 2015. (Photo by Reuters/Stringer)

Award-winning photographer Barry Lewis has been picturing the weird and wonderful late-night Glastonbury experience for more than a decade. Shangri-La is a festival of contemporary performing arts held each year at Glastonbury festival, and Barry Lewis has documented its denizens. Here: Spa in Slumbarave’s Hotel Metropolis, Shangri-La, Glastonbury, 2009. (Photo by Barry Lewis/The Guardian)

See also: Karma by Do Ho Suh

Construction cranes stand on the Unstrut Valley high-speed railway bridge on March 19, 2012 near Karsdorf, Germany. The Unstrut bridge, which is 2,668m long (about 1.6 miles), is among 38 bridges and 26 tunnels German state rail carrier Deutsche Bahn is building along a new ICE high-speed railroad connection between Nuremberg, Erfurt, Halle, Leipzig and Berlin in a multi-billion Euro project across eastern Germany called the German Unity Transportation Project (Verkehrsprojekt der Deutschen Einheit). (Photo by Sean Gallup/Getty Images)

The moon rising above the Forth Rail Bridge in The Firth of Forth from North Queensferry, England on July 16, 2019. (Photo by South West News Service)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.