A giant hedgehog statue is spotted in London's Clapham Common after a survey reveals many Brits have never seen one in the wild. Naturalist Sir David Attenborough hopes to educate the masses about such creatures on his new show.

As cheap Chinese-made motorbikes flood Pakistan’s roads, fans of vintage Vespa scooters are scrambling to find spare parts and preserve models that hark back to a bygone era. Here: A restored Vespa scooter painted in Pakistani truck art style, is parked alongside traditionally-coloured scooters at a Vespa restoration and repair workshop in Islamabad, Pakistan February 27, 2018. (Photo by Caren Firouz/Reuters)

People play with foam at a water park in Yantai, Shandong province, China June 16, 2107. (Photo by Reuters/Stringer)

A Mongolian Shamaness or Buu, beats her drum while taking part with others in a fire ritual meant to summon spirits to mark the period of the Summer Solstice in the grasslands on June 22, 2018 outside Ulaanbaatar, Mongolia. Banned for 70 years under Communist rule, shamanism has seen a resurgence in Mongolia since 1992, when the ancient practice became protected by the country's Constitution. Known as Tengrism, in which Shamans channel ancestral spirits, it is widely regarded as Mongolia's national religion and part of its indigenous identity. (Photo by Kevin Frayer/Getty Images)

Polar frame, by Dmitry Kokh, Russia. When Kokh’s boat approached the small island of Kolyuchin in the Russian High Arctic, which had been abandoned by humans since 1992, he was surprised to spot movement in one of the houses. Binoculars revealed polar bears – more than 20 in total – exploring the ghost town. Dmitry used a low-noise drone to document them. (Photo by Dmitry Kokh/Wildlife Photographer of the Year 2022)

Midnight at the Palace, at Big Yin at Gilded Balloon Patter House during Edinburgh fringe 2025 in the first decade of August 2025. (Photo by Damian Robertson/The Guardian)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.