Tim Laman is a field biologist and wildlife photojournalist. His pioneering research in the rain forest canopy in Borneo led to a PhD from Harvard and his first National Geographic article in 1997. Since then, he has pursued his passion for exploring wild places and documenting little-known and endangered wildlife by becoming a regular contributor to National Geographic. He has eighteen articles to his credit to date, all of which have had a conservation message. Some have focused on endangered species such as Orangutans or Hornbills, while others, such as a series of articles on Conservation International’s Biodiversity Hotspots, have highlighted regions under intense pressure.

Brad Says “Brick sculpture can be dated back to ancient Babylon but remains a fresh and interesting enhancement to any building, wall or environment. The brick medium has all the same characteristics of durability and low maintenance as a brick building, blends well in settings where other brick construction is present, looks good with landscaping and has a familiarity which is comforting to people. Brick sculpture adds intrigue and interest to a commonly understood material as viewers try to figure out the techniques by which it was created.”

People wearing and holding helmets take part in a drill simulating a 7.2 magnitude earthquake in Tokyo, Japan, August 26, 2016. The drill was held in Ginza, a high-end shopping and business district, and held ahead of the 93rd anniversary of the Great Kanto Earthquake of 1923 which claimed at least 100,000 casualties. It was one of the largest natural disasters in recorded history and since 1960, September 1st, and the period around that date has been declared as national disaster prevention awareness period. (Photo by Kim Kyung-Hoon/Reuters)

A biker poses on his Bousouzoku motorbike at the Dangouzaka rest stop in Yamanashi, west of Tokyo, Japan, January 3, 2016. Police on Sunday halted a group of about two dozen Bousouzoku bikers who paraded their noisy motorcycles during an annual New Year outing in the Mount Fuji region. This Japanese motorcycle subculture dated back to the 1950s and regularly chafes with the police because of their provocative traffic behaviour and bike customising, that is often deemed illegal. (Photo by Thomas Peter/Reuters)

Chen interacts with his “smart” sеx doll as he lays in a bed in his home in Guangzhou, Guandong Province, China, 05 April 2018. Chen, because of his busy pharmaceutical sales job and the travel it involves, has no time for a girlfriend. Chinese girls all want to talk about marriage after the second date and he is not interested in that for now, he said. (Photo by Aleksandar Plavevski/EPA/EFE)

A polar bear whose bottom half is caked in oily black gunk. A whale wrapped in striped fabric: a pseudo straightjacket. These are the messes climate change leaves behind, the things we know are happening but often don’t have the opportunity to see with our own eyes. Swiss street art duo Christian Rebecchi and Pablo Togni, otherwise known as NeverCrew, met in art school when they were 15 and started making work together soon after. As a team, the artists adorn the world with eye-popping and gut-wrenching images depicting the consequences of humanity’s actions on earth. (Photo by NeverCrew/The Huffington Post)

People wearing face masks walk through Ginza area on December 27, 2020 in Tokyo, Japan. Japan announced it will close its borders to non-resident foreign nationals from tomorrow until the end of January after two people were discovered to be infected with a new strain of Covid-19 coronavirus that has begun spreading around the world. The country is also grappling with a surge in coronavirus infections, with Tokyo reporting 708 cases today. To date, Japan has recorded 218,453 infections, 3,052 deaths and 3,052 recoveries from the virus. (Photo by Yuichi Yamazaki/Getty Images)

Artists perform during a “Yandu Story” Show performance, in Yancheng, Jiangsu province, China, 20 September 2022. The story dates back to some 100 years when – according to the organizers – two prominent local families, Gu and Ling, were committed to get out of a predicament, but parted due to different development concepts and ended in a turmoil. The large-scale immersive series of performances took more than a year of careful planning and consists of two parts: a daytime performance and a 90-minute night performance, they added. (Photo by Alex Plavevski/EPA/EFE/Rex Features/Shutterstock)