Andrew Ferez, born and raised in Russia is an artist who inherited his creativity and interest in the arts early on and trained his artistic skills and knowledge ever since, in a never-ending process.
Andrew’s genre is a mix between macabre and horror with a poetic hint. His illustrations transports us into the deepest recesses of our mind, showing us impossible worlds that are both scary yet surprisingly familiar or enticing. Most of his artworks are two dimensional but in some of his latest artworks he used the help of some 3D software as well.

A woman dressed as a cleaning lady laughs during “Weiberfastnacht” (Women's Carnival) in Cologne February 12, 2015. Women's Carnival marks the start of a week of street festivals, the highlight of the event being “Rosenmontag” (Rose Monday), the final day of the carnival where mass processions are held. (Photo by Ina Fassbender/Reuters)

French retoucher Christophe Huet is a true photoshop Master! His work is fascinating. He is the one who creates the famous advertising for Playstation, but also some for Nike, Motorola, Surfrider Foundation…. I spend an hour on his site looking all of his work, and the Best of all is that he has few working progress slideshows where you can see the process of each image, Like the one above… Its really interesting and inspiring.

Photochromes are vibrant and nuanced prints hand-coloured from black-and-white negatives. Created using a process pioneered in the 1880s, these images offer a fascinating insight into the world when colour photography was still in its infancy. A Tour of the World in Photochromes is at the Swiss Camera Museum, Vevey, until 21 August. Here: Street food in the Strada del Porto in Naples, Italy, 1899. (Photo by Swiss Camera Museum/The Guardian)

A bull hits a reveller during the first running of the bulls of the San Fermin festival in Pamplona, Spain, July 7, 2018. Each day at 8am hundreds of people race with six bulls, charging along a winding, 848.6-metre (more than half a mile) course through narrow streets to the city's bull ring, where the animals are killed in a bullfight or corrida, during this festival dating back to medieval times and also featuring religious processions, folk dancing, concerts and round-the-clock drinking. (Photo by Vincent West/Reuters)

Nepalese women farmers spray mud water at each other while planting rice in a paddy field during the National Paddy Day in the village of Jitpur in Kathmandu, Nepal, 30 June 2015. On this day, known as Asar Pandra, farmers begin the annual rice planting season and mark the day with various festivities such as preparing rice meals with muddy water, spreads mud among farmers. The Mud being a symbol for a prosperous season. The agricultural sector contributes about 60 per cent to Nepal's gross domestic product. (Photo by Narendra Shrestha/EPA)

A mechanic examines a Gogoro Smartscooter which is connected to a tablet, in its shop in Taipei, Taiwan, July 6, 2015. Companies such as electric motor scooter firm Gogoro could hold the key to Taiwan's economic growth. In just three years, the start-up raised $150 million to develop the smartphone-synched bike, and a charging network for it. Gogoro's success in creating a home-grown, innovative product is precisely what Taiwan's government wants to foster as it seeks to reduce the export-driven economy's reliance on the island's world-class tech manufacturing sector. (Photo by Pichi Chuang/Reuters)

At this year’s Venice Bienniale in Italy, the Korean pavilion has a curious exhibit called “Commissions for Utopia”. It includes renderings from North Korea’s top architects and artists (all anonymous), many of whom studied at the Paekho Institute of Architecture, North Korea’s state-run architectural college, and none of whom have ever left the country. They were asked to create a vision of North Korea’s future sustainable architecture for its expanding tourism industry. Their final products are a glimpse into what it would be like to envision the future after being entirely cut off from the present for almost 70 years. (Photo by Nick Bonner/Kyle Vanhemert/Venice Architecture Biennale)