Christmas baubles shaped as Santa Clauses wearing protective masks are pictured amid the coronavirus disease (COVID-19) pandemic in Eichenau, Germany, November 26, 2021. (Photo by Michaela Rehle/Reuters)

A participant wearing a cosplay costume attends the Japan Expo in Marseille, France, February 22, 2019. (Photo by Jean-Paul Pelissier/Reuters)

A skier in a festive costume attempts to cross a pool of water at the foot of a ski slope while competing in the annual Gornoluzhnik amateur event to mark the end of the ski season at the Bobrovy Log ski resort in the suburbs of the Siberian city of Krasnoyarsk, Russia, April 14, 2019. (Photo by Ilya Naymushin/Reuters)

Ivorian police officers of the Anti-Riot Brigade (BAE) contain the crowd during a performance by French rapper Okou Armand Gnakouri known as Kaaris during the Festival of Urban Music of Anoumabo (Femua) in Abidjan on April 28, 2019. The performance of French-Ivorian rapper Kaaris at the Festival of Urban Music of Anoumabo (Femua) in Abidjan escalated into violence after a crowd surge, causing some minor injuries, according to an AFP journalist at the concert. (Photo by Sia Kambou/AFP Photo)

Indigenous Q'eqchi girls practice taekwondo with their teacher, Danny Coy, on a dirt court in the middle of the village in Tipulcan village, San Pedro Carcha, Guatemala, on 25 November 2019 (issued 27 November 2019). Tipulcan village girls learn taekwondo to combat sexist violence and harassment they have suffered in their community in northern Guatemala. (Photo by Esteban Biba/EPA/EFE)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)

The winners of The London’s Natural History Museum's prestigious Wildlife Photographer of the Year for 2013 have finally been unveiled. Selected from almost 43,000 entries from 96 countries, the winners offer a glimpse of the stunning array of natural beauty on our planet. Photo: Canada: “Lucky pounce”. “Anticipating the pounce – that was the hardest part”, says Connor, who had come to Yellowstone National Park, Wyoming, USA, in search of wildlife as much as the spectacular landscape. He had found this fox, his first ever, on his last day in the park. It was so absorbed in hunting that Connor had plenty of time to get out of the car and settle behind a rock. It quartered the grassland, back and forth, and then started staring intently at a patch of ground, giving Connor just enough warning of the action to come. When it sprung up, Connor got his shot. And when it landed, the fox got his mouse. (Photo by Connor Stefanison/Wildlife Photographer of the Year 2013)

Ecuador fans ahead of the FIFA World Cup Group A match at the Al Bayt Stadium, Al Khor on Sunday, November 20, 2022. (Photo by Mike Egerton/PA Wire Press Association)