A man walks on the road between Nouahibou and Nouakchott, where three Spanish aid workers were abducted in Mauritania, December 3, 2009. (Photo by Rafael Marchante/Reuters)

Kagome Co's employee Shigenori Suzuki tries to eat a tomato which is fed to him by the newly-developed “Wearable Tomato” device for runners, during its unveiling event ahead of the weekend's Tokyo Marathon in Tokyo February 19, 2015. The eight-kilo (17.6-pound) contraption fits on a runner like a rucksack. It can distribute a total of seven medium-sized tomatoes, one by one, at the click of a button and supplies the runner with much needed nutrients during a long jog or race. (Photo by Toru Hanai/Reuters)

A sailor of the Marshal Shaposhnikov anti-submarine destroyer takes part in the “Vostok-2022” military exercises at the Peter the Great Gulf of the Sea of Japan outside the city of Vladivostok on September 5, 2022. The Vostok 2022 military exercises, involving several Kremlin-friendly countries including China, takes place from September 1-7 across several training grounds in Russia's Far East and in the waters off it. Over 50,000 soldiers and more than 5,000 units of military equipment, including 140 aircraft and 60 ships, are involved in the drills. (Photo by Kirill Kudryavtsev/AFP Photo)

In this April 1, 2002, file photo, Mike Cole, of Jenkintown, Pa., right, performs a kick-flip over a trash can with his skateboard as tourists pose for photos in front of artist Robert Indiana's sculpture in John F. Kennedy Plaza, also known as Love Park, in Philadelphia. Granite slabs from Philadelphia's famed Love Park, a skateboarding mecca though for a long stretch an illegal one, are being shipped in 2017 to the city of Malmo, Sweden, nearly 4,000 miles away, for use in construction of a skate park there. (Photo by Douglas Bovitt/AP Photo)

Jo Jo performs at the Q102 s*xy Singles 2012 the at Hotel Palomar on January 26, 2012 in Philadelphia, Pennsylvania. (Photo by Gilbert Carrasquillo)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.