Chinese artist Kong Ning poses in a costume symbolizing a butterfly, which is decorated with 365 masks on its wings to represent the number of days in a year, during her performance art at the Badaling section of the Great Wall on the outskirts of Beijing January 1, 2015. Kong, whose works include themes related to China's air pollution problem, named her new performance art “Hua Die” (transforming into a butterfly) and performed it on the first day of the new year as she hopes that China has clean air for this year. (Photo by Kim Kyung-Hoon/Reuters)

“The Family of Man” opened at The Museum of Modern Art in January 1955 and was curated by Edward Steichen. It was groundbreaking in its scope – 503 images by 273 photographers from 68 countries – as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. The touring exhibit drew over 9 million people and the accompanying catalog sold over 2.5 million copies. Here: “Coney Island, New York”, by American photographer Garry Winogrand, circa 1952. (Photo by Garry Winogrand)

Jose Sabas Gomez pastes eyelashes to a statue of El Jesus Nazareno in his workshop in Apastepeque, El Salvador March 9, 2016. Sabas is one of a small number of artists still working on traditional religious art in El Salvador. According to him, there used to be more workshops engaged in the work of restoring statues of saints, but only four remain today as the labor-intensive craft is no longer a popular choice of profession. (Photo by Jose Cabezas/Reuters)

Call Parade is an ongoing public art project in São Paulo sponsored by Brazilian telecommunications firm Vivo, that paired 100 artists with 100 street-side phone booths giving them free reign to transform the peculiar hooded fixtures into anything imaginable. The exhibition has proven to be extremely popular and Brazilian photographer Mariane Borgomani set out to capture a number of the phones, my favorite of which is the painted day/night treatment above by artist Maramgoní.

“Tomotaka Takahashi (born March 27, 1975), roboticist and founder of Kyoto University's ROBO-GARAGE since 1999, creates humanoid robots known for their smooth, fluid motions and sleek appearance. Creating a number of humanoid robots entirely by himself, from concept through to production, Takahashi's designs have been featured in art exhibitions celebrating the creation of Astroboy, Time Magazine's Coolest Inventions of 2004, and promotions for Bandai, Panasonic, and Pepsi”. – Wikipedia

Photo: One of Japan's leading robot creator's Tomotaka Takahashi holds Robo Garage's Chroino and FT during the Robo_Japan 2008 Press Preview at Pacifico Yokohama on October 10, 2008 in Yokohama, Kanagawa, Japan. (Photo by Junko Kimura/Getty Images)

“As is probably stated somewhere in the theory of infinity, if you give an infinite amount of monkeys an infinite number of old-timey Polaroid cameras, one will eventually take “artistic” blurry photos of historical sites in Moscow which will then be auctioned at Sotheby's for an estimated $75,000 – $100,000. Fortunately for every simian art fan with a spare $100k, we are currently living in the very universe in which that concept is reality. Eighteen photographs by – and of – Mikki The Chimpanzee are going to auction on June 5, 2013”. – Callie Beusman via Jezebel.com. (Photo by Guzelian)

Mayu adjusts Koiku’s kimono, as Koiku wears a protective face mask while posing for a photograph, before they work at a party where they will entertain with other geisha at Japanese luxury restaurant Asada in Tokyo, Japan, June 23, 2020. (Photo by Kim Kyung-Hoon/Reuters)

Macaque monkeys sit on a car in Hua Hin on May 29, 2020, as low tourist numbers due to the ongoing COVID-19 novel coronavirus situation have resulted in a decrease in the number of people feeding them. The monkeys in the town are going hungry as a consequence of the drop in tourism as a result of the COVID-19 coronavirus pandemic. (Photo by Jack Taylor/AFP Photo)