“Bodies in urban spaces” is a temporarily intervention in diversified urban architectonical environment. The intention of “bodies in urban spaces” is to point out the urban functional structure and to uncover the restricted movement possibilities and behavior as well as rules and limitations. Photo: “Bodies in Urban Spaces”, September 26, 2010. (Photos by Andrew Russeth)

At the end of rice harvesting season, the folks of the Kagawa and Niigata Prefectures in Japan hold a straw festival to celebrate the abundance of the harvest. Dried straws cover wooden frames to form larger-than-life sculptures from animals like sharks and gorillas to vessels such as ships and tanks. The family-friendly event invites visitors of all ages to engage, interact, and play on the enormous structures.

A vendor carries her products in a bucket on her head as she walks through the neighborhood of Jalousie, in the commune of Petion Ville, Port-au-Prince, on December 17, 2018. On the hills of Port-au-Prince, a chaotic jumble of structures stretches ever farther into the distance: Haiti's capital is suffering under the weight of high inflation, endemic corruption and a perilous drop in the value of its currency. Jalousie is a poor neighborhood of the capital which lacks sanitation and potable water. (Photo by Hector Retamal/AFP Photo)

A supercell thunderstorm develops, May 8, 2017 in Elbert County outside of Limon, Colorado. With funding from the National Science Foundation and other government grants, scientists and meteorologists from the Center for Severe Weather Research try to get close to supercell storms and tornadoes trying to better understand tornado structure and strength, how low-level winds affect and damage buildings, and to learn more about tornado formation and prediction. (Photo by Drew Angerer/Getty Images)

A “creuseur”, or digger, a plastic lantern on his head, readies to enter a copper and cobalt mine in Kawama, Democratic Republic of Congo on June 8, 2016. Cobalt is used in the batteries for electric cars and mobile phones. Working conditions are dangerous, often with no safety equipment or structural support for the tunnels. The diggers say they are paid on average US$2-3/day. (Photo by Michael Robinson Chavez/The Washington Post)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

“Ashes and Snow by Canadian artist Gregory Colbert is an installation of photographic artworks, films, and a novel in letters that travels in the Nomadic Museum, a temporary structure built exclusively to house the exhibition. The work explores the shared poetic sensibilities of human beings and animals”. – Wikipedia. (Photo by Gregory Colbert)

Masakatsu Sashie is a Japanese painter, born in 1974 in Kanazawa. His paintings of spherical structures floating above rubble on the streets, envision a future where environmental disasters have made the cities depicted uninhabitable. While he has been painting since 1999, his work caught more national intention in 2005 at the Geisai art show.