Children play at the Ryoji Ikeda exhibition “the transfinite” at the Park Avenue Armory on June 10, 2011 in New York City. The audio visual installation, which will close after tomorrow, features two back-two-back screens displaying a continual loop of sounds, fragments of numbers and strobe-lit patterns that echo the Japanese artist's interest in mathematics, the subconscious and the digital world. (Photo by Spencer Platt/Getty Images)

Japan is a country full of art. Much of this is housed in museums and galleries, but others are right under our feet. We speak, of Japan’s peculiar obsession with manhole covers. Almost anywhere in the country you can find manhole covers with spectacular grounds, each more beautiful and complex than the previous. In recent years, S. Morita photographer has traveled around Japan and leave us this great gathering on the beautiful and artistic Japanese manhole covers.

v-u-den (Biyuuden, Viyuden or Biyuden; 美勇伝) – Aisu Kuriimu to My Purin (愛すクリ～ムとMyプリン) [Pretty Dance Version]

地下セクシーアイドル「ベッド・イン」2ndシングル「♂×♀×ポーカーゲーム」のミュージックビデオ。

Josephine Wall is an English fantasy artist and sculptor. Born in Farnham, Surrey, England in 1947, as a child she was always drawn to color, light, fantasy, and visual storytelling. Wall was influenced by Arthur Rackam illustrative ability, the surrealism of artists Magritte and Dali, along with the Pre-Raphaelites romanticism. She went to Farnham grammar school until her family Poole, Dorset when she was 14. There she studied at Parkstone (Dorset) grammar school, she then went on to study at Bournemouth College. Her first job as an artist was in 1967 at Poole Pottery as a designer and painter.

Abortion rights demonstrator reacts outside the United States Supreme Court as the court rules in the Dobbs v Women's Health Organization abortion case, overturning the landmark Roe v Wade abortion decision in Washington, U.S., June 24, 2022. (Photo by Evelyn Hockstein/Reuters)

Flowers are placed on a “comfort woman” statue during the weekly Wednesday protest in front of Japanese embassy demanding for an apology and compensation from Japanese government in Seoul, South Korea, July 22, 2015. “Comfort women” is the Japanese euphemism for women who were forced into prostitution and sexually abused at Japanese military brothels before and during World War Two. (Photo by Kim Kyung-Hoon/Reuters)