Snakes are collected and rolled before putting into the oven on March 2, 2014 in the village of Kertasura, Cirebon, Indonesia. At slaughter house snake skins measuring in the hundreds of metres, are sold to bag factories in the West and Central Java provinces on a monthly basis. From snake skin was manufactured into bags, shoes, wallets and belts. The price of a bag made from snake skin costs between 150,000 rupiah ($15 USD) and 300,000 rupiah ($30 USD), depending on its size. When snake skins reach Western fashion houses their price can increase dramatically and sell for up to $4,000 USD. (Photo by Nurcholis Anhari Lubis/Getty Images)

Cattle are the most important way of livelihood for the Karamojong: they provide milk, meat, blood and money when sold, Karamoja, Uganda, February 2017. (Photo by Sumy Sadurni/Barcroft Images)

Samba dancers arrive to perform ahead of the athletics competitions of the 2016 Summer Olympics at the Olympic stadium in Rio de Janeiro, Brazil, Sunday, August 14, 2016. (Photo by Jae C. Hong/AP Photo)

Sally Gomez drives to rescue of friend Michele Moore in flooded parking lot at Hyannis, Mass., September 9, 1969, after torrential rains of Hurricane Gerda flooded low areas of Cape Cod. Ann Davis of Osterville stands up in roof opening to lend a hand. Sally and Michele are from Centerville on the Cape. (Photo by Frank C. Curtin/AP Photo)

Leon Samson, 24-year-old showman, grimaces as an automobile is driven across his chest at Perth, Australia on October 9, 1960. Samson said the towel on his chest is to prevent the wheel from tearing his flesh. (Photo by AP Photo)

Astronaut Edwin E. Aldrin Jr. walks near the Lunar Module during the Apollo 11 extravehicular activity July 20, 1969 on the Moon. (Photo by NASA/Newsmakers)

Ice swimmer Klaudia prepares to swim in a filled up water kettle in an ice cave inside the Nature Ice Palace, with a hight of 3,250 meters (10,663 feet) above sea level, at Hintertux Glacier near Hintertux, some 480 kilometers (298 miles) western of Vienna, Austria, 28 July 2018. (Photo by Christian Bruna/EPA/EFE)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.