“Kusakabe Kimbei (1841 – 1934) was a Japanese photographer. He usually went by his given name, Kimbei, because his clientele, mostly non-Japanese-speaking foreign residents and visitors, found it easier to pronounce than his family name. Kusakabe Kimbei worked with Felice Beato and Baron Raimund von Stillfried as a photographic colourist and assistant before opening his own workshop in Yokohama in 1881 in the Benten-dōri quarter, and from 1889 operating in the Honmachi quarter. He also opened a branch in the Ginza quarter of Tokyo”. – Wikipedia

Photo: Writing Letter. (Photo by Kusakabe Kimbei)

An employee wears false eyelashes at the Shu Uemura eyelashes bar in the Omotesando district May 18, 2007 in Tokyo, Japan. 22 different false eyelash designs are available at the eyelashes bar ranging in cost from US$13 to US$43. (Photo by Koichi Kamoshida/Getty Images)

Sand from Montrose Beach whips past Vincent Lagrone as he walks along the lakefront October 19, 2011 in Chicago, Illinois. A high wind warning was issued for the city as winds between 40 and 45 mph are expected to cause 20- to 25-foot waves along sections of the lakefront. (Photo by Scott Olson/Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

Flowers are placed on a “comfort woman” statue during the weekly Wednesday protest in front of Japanese embassy demanding for an apology and compensation from Japanese government in Seoul, South Korea, July 22, 2015. “Comfort women” is the Japanese euphemism for women who were forced into prostitution and sexually abused at Japanese military brothels before and during World War Two. (Photo by Kim Kyung-Hoon/Reuters)

Shuichi Mizoguchi is the forerunner of Japanese digital graphic art. He is known for his fantastic Japanese feminine beauty imagery. SHU can get the best of his talent to use various colors freely and uniquely to create fantastic imagery of ancient scenery, robots on top of the Japanese feminine beauty. His imagery has been captivated by Japanese young and middle class generations.