“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.

The amazing art of dancing is captured by the lens of Bertil Nilsson, who draws inspiration from movement and human body, creating a final spectacular result. The London-based photographer and filmmaker has worked closely with dancers and circus artists for five years throughout Europe and North bringing out an inspiring project, all gathered in his book Undisclosed: Images of the Contemporary Circus Artist.

Karolina Kurkova, Alana Zimmer, Valerija Kelava, Eniko Mihalik, Snejana Onopka and Iris Strubegger star in “Hairy Tales” a focus on mostly big hair styled by Luigi Murenu (hair style; Make-up: Karim Rahman) for «Vogue» Germany April 2012. Joanne Blades styles the editorial with Daniele and Iango behind the lens.

“Award-winning photographer Camille Seaman, best known for her earlier work depicting massive polar icebergs, recently turned her lens on another incredible natural phenomenon - storm clouds above the American Midwest. She partnered with experienced storm chasers and began to stalk a particular type of storm cloud – the supercell. On June 22, 2012, in western Nebraska, she encountered an enormous supercell and captured its many faces”. (Photo by Camille Seaman via TheAtlantic)

Most probably wouldnt think of snakes, spiders and lizards as beautiful animals – but these photographs could change some minds. The images show the reptiles seemingly playful sides, from a gleeful looking Budgetts frog, a cheeky leopard sticking out its tongue at the camera and a stack of four colourful iguanas. Contrasted against a white background and shot with a Canon EOS 5D Mark 2 and macro lens, photographer Mickael Leger really made sure they could be seen in all their glory. Here: Gecko. (Photo by Mickael Leger/Caters News)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

Shooting star by Tony Wu, US/Japan. Winner, underwater. The electrifying reproductive dance of a giant sea star. As the surrounding water filled with sperm and eggs from spawning sea stars, Wu faced several challenges. Stuck in a small, enclosed bay with only a macro lens for photographing small subjects, he backed up to squeeze the undulating sea star into his field of view. The dancing posture of spawning sea stars rising and swaying may help release eggs and sperm, or may help sweep the eggs and sperm into the currents where they fertilise together in the water. Kinko Bay, Japan. (Photo by Tony Wu/Wildlife Photographer of the Year)

These are the chimp-ly marvellous images captured by a cheeky monkey after turning the tables on a photographer who left his camera unmanned. The inquisitive scamp playfully went to investigate the equipment before becoming fascinated with his own reflection in the lens. And it wasnt long before the crested black macaque hijacked the camera and started snapping away sending award-winning photographer David Slater bananas. David, from Coleford, Gloucestershire, was on a trip to a small national park north of the Indonesian island of Sulawesi when he met the incredibly friendly bunch. (Photo by David Slater/Caters News)