Steve Jobs, CEO of Apple, attends the Macworld Conference and Expo July 18, 2001 in New York City. (Photo by Mario Tama/Getty Images)

In this February 19, 2017 photo, a couple dances during the “If you don't give me....then you lend me” Carnival street party on Ipanema beach, in Rio de Janeiro, Brazil. The typical view of Carnival in Brazil is anything goes, with no headdress too big, no outfit too small, no song too ribald, but this year some organizers of the world's best known party are drawing the line at lyrics that are sexist, homophobic or racist. (Photo by Silvia Izquierdo/AP Photo)

Ismail Mustafa, seen in 2007. “I was collecting mushrooms on the hill near here. I didn’t see the mine. There was a huge explosion. When I woke up I saw that both my legs were gone; I thought my life was over. My brother and another guy were with me. They made a stretcher from sticks and tied it together with clothing. It took two hours to get off the mountain. ‘My daughter has also been injured. She found a shell and brought it into the house and put it on the fire. She didn’t know what she was doing at the time – she was only three. She is blind and has lost an arm”. (Photo by Sean Sutton for the Mines Advisory Group/The Guardian)

Iraqi teenagers swim in waste water from the nearby Tuweitha nuclear facility near Baghdad, Iraq on May 28, 2003. Iraqis are consuming contaminated water unaware of the dangerous pollutants that can cause severe ill health. (Photo by Damir Sagolj/Reuters)

A man is reflected in the water as he sleeps on the street in Kathmandu, Nepal, 27 June 2023. Despite the Meteorological Forecasting Division of Nepal already announcing the onset of the monsoon season in the country on June 14, 2023, the monsoon rainfall has not been significantly active yet. (Photo by Narendra Shrestha/EPA)

In this July 23, 2013 photo, sand fills an abandoned house in Kolmanskop, Namibia. Kolmanskop, was a diamond mining town south of Namibia, build in 1908 and deserted in 1956. SInce then, the desert slowly reclaims its territory, with sand invading the buildings where 350 German colonists and more than 800 local workers lived during its hay-days of the 1920s. (Photo by Jerome Delay/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)