Juleny Favela – Que Nadie Sepa mi Sufrir. Argentine song from 1936 with Peruvian waltz rhythm by Argentinan guitarist Angel Cabral.

Gerald Herbert is a staff photographer for the AP based in New Orleans, Louisiana. Before that he was a staff photographer for the Washington Times, the New York Daily News and a freelancer for the AP in New Orleans, Boston and New York. Photo: A worker grooms away tracks after an alligator crossed through a sand trap on the 14th hole during the first round of the PGA Tour Zurich Classic golf tournament at TPC Louisiana in Avondale, La., Thursday, April 25, 2013. (Photo by Gerald Herbert/AP Photo)

A screen grab from a police body camera video shows the pilot of a plane that crashed on railway tracks being rescued by Los Angeles Police Department officers moments before a train hit the aircraft in Los Angeles, California, U.S. January 9, 2022. (Photo by LAPD/Handout via Reuters)

Firefighters take part in airport emergency exercise at the Sultan Iskandar Muda international airport in Blang Bintang, Indonesia's Aceh province on October 26, 2023. (Photo by Chaideer Mahyuddin/AFP Photo)

Simply – two pleasant Korean videoclips by Davichi (다비치), SeeYa (씨야) and T-ara (티아라). Have a nice week-end!

P.S. Hint: You want even more music? Use a music video tag!

Here Goes River captures Japanese photographer Aya Fujioka’s home town of Hiroshima in 2017. The award-winning series documents the quiet, everyday spaces of the city – mundane, almost incidental scenes that are suffused with the invisible weight of the past. (Photo by Aya Fujioka)

Nobumichi Asai has used projection mapping to put CGI onto cars, docks, building and more. What is his latest canvas? A real, live human face! Asai used Omote, a combination of real-time face tracking and projection mapping to transform a model's face into mesmerizing patterns. It's called “electronic makeup”, but as you will see in the (creepy-ish) video, it goes much, much beyond anything makeup can possibly do.